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ITALIAN HISTORY

Why does Italy celebrate National Unity Day on March 17th?

It might not be a national holiday, but March 17th is the most patriotic day of the year in Italy: the National Day of Unity. Here's what it all means.

Why does Italy celebrate National Unity Day on March 17th?
The Italian Air Force aerobatic unit Frecce Tricolori puts on a show above Rome every November 4th. (Photo by Filippo MONTEFORTE / AFP)

Italians are well known for proudly displaying the tricolore – the nation’s flag – and it was an especially common sight amid the coronavirus crisis and lockdowns.

And on March 17th, such displays of national pride are even more common, as it is in fact the country’s ‘birthday’.

Known in Italian as La Giornata dellUnità nazionale, Unity Day is not a public holiday, but it’s a big deal to many Italians. So what’s the date all about? Here’s a quick historial primer.

The birth of Italy

Although Italy was the centre of the ancient Roman empire and is known for its treasures dating back millennia, as a country it’s actually very young – younger than the US, in fact.

The Kingdom of Italy was officially founded on March 17th 1861, so today the date is known as the Day of Unity or Unification.
Before 1861, the peninsula was fragmented, split into rival states and regions which had changed hands, allegiances, and boundaries frequently over the centuries. They included the Grand Duchy of Tuscany, the Duchy of Modena, the Papal States, Kingdom of Sardinia, Kingdom of Lombardy-Venetia, and Kingdom of the two Sicilies – see the map below.

Before unification. Image: WikiCommons

Italy’s unification wasn’t a single date, but a period of several decades during which a lot went on – think revolts, reforms, and wars. The unification or Risorgimento (literally ‘resurgence’) period is roughly defined as being between 1815 and 1870.

In the mid-1840s, things really got going, with a new pope on the scene and rising nationalism across the whole continent. 

Meanwhile, Sardinia was emerging as a power, thanks to its king Vittorio Emanuele (more on him later), who was gaining recognition due to reforms and public works, and its prime minister Count Camillo di Cavour, who built up strategic alliances across Europe.

Sometimes through political alliances, other times by sending in troops, Cavour succeeded and Italy was finally declared a nation-state on March 17th, 1861.

The first king

The first king of the new Italy was Vittorio Emanuele II – you might recognize the name, since most towns and cities have a street named after him. There’s often a March 17th piazza or street as well, and others named after more key players in the revolution; Count Cavour, Giuseppe Mazzini and Giuseppe Garibaldi, for example.

Italians called him the Padre della Patria (Father of the Fatherland) and he reigned until his death in 1878. You can see his tomb at Rome’s Pantheon today.

Capital cities

 With its central location and connections to the ancient empire, it seems natural that Rome is the capital of Italy. But that wasn’t always the case. The very first capital of Italy was in fact Turin.

Just four years later however, Florence took a turn at being capital city, before Rome was finally given the honour in 1871.

Why don’t we get the day off?

On special occasions, including the 150th anniversary back in 2011, Italians have indeed been treated to a day off work in celebration. Usually that means foregoing one of the other public holidays, such as Armed Forces Day on November 4th.

READ ALSO: How to make the most of Italy’s public holidays in 2023

Generally, Italy opts to mark the founding of the Republic on June 2nd, rather than the unification itself. On June 2nd in 1946, Italians narrowly voted (54 to 45) in a constitutional referendum to abolish the monarchy.

But although March 17th isn’t a public holiday, keep an eye out for the many displays of patriotism that mark the occasion, from Italian flags on display to celebratory events. Viva Italia!

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ITALIAN HISTORY

‘Treasure chest’: New banquet hall frescoes unearthed in Pompeii excavation

A black-walled banqueting hall decorated with scenes from Greek mythology, where ancient Romans feasted by candlelight, has been unearthed in Pompeii, the archaeological park said Thursday.

'Treasure chest': New banquet hall frescoes unearthed in Pompeii excavation

The exceptionally well-preserved frescoes show the god Apollo attempting to seduce Trojan priestess Cassandra, and Helen of Troy meeting Paris, an encounter which would lead to war.

“The mythical couples were starting points for talking about the past and life,” Pompeii director Gabriel Zuchtreigel said in a statement.

“The walls were black to prevent the smoke from the lamps on the walls from being seen,” he said.

“Here they gathered to feast after sunset, the flickering light of the lamps made the images seem to move, especially after a few glasses of good Campania wine,” said Zuchtreigel, referring to the southern Italian region.

READ ALSO: Ancient Roman home with ‘unparalleled’ mosaic found near Colosseum

Frescoes in a banqueting room recently unearthed in Pompeii. Photo by Handout / Parco Archeologico di Pompei press office / AFP.

Pompeii was devastated when nearby Mount Vesuvius erupted almost 2,000 years ago in 79 AD.

The ash and rock helped preserve many buildings almost in their original state, as well as forming eery shapes around the curled-up corpses of victims of the disaster, thought to number around 3,000.

The hall, with its nearly intact white mosaic floor, was discovered during an excavation which has also uncovered a bakery, a laundry and houses with sumptuous frescoed living rooms.

READ ALSO: Water returns to Rome’s ancient Caracalla Baths in reflecting pool

‘Treasure chest’

“Pompeii is truly a treasure chest that never ceases to surprise us and arouse amazement because, every time we dig, we find something beautiful and significant,” Culture Minister Gennaro Sanguiliano said.

The spacious hall shows “the high standard of living” in the domus, where building works had been under way when the volcano erupted, Pompeii said.

Newly discovered frescoes depict mythological characters Helen and Paris. Photo by Handout / Parco Archeologico di Pompei press office / AFP.

It said the fresco themes appear to be heroism and destiny, with the relationship between individuals and fate embodied by Cassandra, who is cursed by Apollo for rejecting him, so that she can foresee the future but is believed by no-one.

“The frequent presence of mythological figures on frescoes in the reception rooms of Roman houses had precisely the social function of entertaining guests and guests, providing subjects for conversation and reflection on the meaning of existence,” the park statement said.

The banqueting hall – which measures some 15 metres by six metres (50 feet by 20 feet) – opens into a courtyard which appears to be an open-air service hallway, with a long staircase leading to the first floor.

A newly unearthed fresco in a banqueting room in Pompeii. Photo by Handout / Parco Archeologico di Pompei press office / AFP.

A vast pile of construction materials was found set aside under the arches of the staircase.

“Someone had drawn in charcoal, on the rough plaster of the arches of the great staircase, two pairs of gladiators and what appears to be an enormous stylised phallus,” the statement said.

Pompeii is now a UNESCO World Heritage Site and the second most visited tourist site in Italy, after the Colosseum in Rome.

Archaeologists estimate that 15 to 20 percent of Pompeii’s population died in the eruption, mostly from thermal shock as a giant cloud of gases and ash covered the city.

By AFP’s Ella Ide.

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