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OPERA

Woody Allen to stage Puccini opera at Milan’s La Scala

Woody Allen, embroiled in revived sex abuse allegations, will take part in the 2018-19 season of Milan's La Scala when he directs his version of a Puccini comic opera, the head of the celebrated opera house said on Wednesday.

Woody Allen to stage Puccini opera at Milan's La Scala
Inside La Scala opera house in Milan. Photo: Giuseppe Cacace/AFP

The programme, which opens on December 7th, will include the veteran US director's riotous rendition of Gianni Schicci, set in New York's “Little Italy” in the 1930s. Allen's version, which was a hit in Los Angeles in 2015 with Spanish legend Placido Domingo in the title role, will play in Milan in July 2019.

The 82-year-old has faced growing isolation over allegations that he molested his adopted daughter Dylan Farrow as a seven-year-old in 1992, leading a string of actors to distance themselves from him.

The allegations, which have never been proved, resurfaced in the wake of the Harvey Weinstein scandal.

READ ALSO: 'That time when…': Italian women speak up about sexual harassment


Photo: Alberto Pizzoli/AFP

“Let's not give that too much weight,” La Scala director Alexander Pereira told AFP, adding: “There's also another part” of Hollywood that still wants to work with Allen, who has directed more than 50 films, winning four Oscars and numerous accolades in Europe.

“He's 82 years old, what does all this mean?” Pereira asked. “Let's leave things as they are.”

La Scala's season will open with the 1846 Verdi opera “Attila” under the baton of Riccardo Chailly, with Russian bass Ildar Abdrazakov in the title role opposite soprano Saioa Hernandez of Spain.

“Half of the programme will be dedicated to the Italian repertoire, because opera was born here,” Pereira told a news conference.

By Celine Cornu

CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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