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CANNES

French court authorises release of ‘cursed’ Gilliam film

A Paris court gave Terry Gilliam the go-ahead Friday to release "The Man Who Killed Don Quixote" in cinemas, a victory for the Monty Python member in the long-running legal battle over the apparently cursed film.

French court authorises release of 'cursed' Gilliam film
British-US director Terry Gilliam reacts as he leaves a Saturday press conference for the film "The Man Who Killed Don Quixote" at the 71st edition of the Cannes Film Festival. Photo: Laurent EMMANUEL
The comedy, which is due to close the Cannes film festival on Saturday, was supposed to come out in French cinemas on the same day. But Paul Branco, a former producer of the disaster-hit production, made a last-minute court bid to halt its general release.
 
Branco, who claims his Alfama Films owns exclusive rights to the movie, has waged a lengthy legal campaign to stop the Hollywood director from releasing the final version starring Jonathan Pryce and “Star Wars” actor Adam Driver.
 
France's National Centre for Cinema last week issued a screening permit for it to be shown in cinemas, prompting Branco to try to block that decision in the courts.
 
“It's a big victory, we are very happy and very relieved,” said Christophe Ayela, lawyer for the film's distributors Star Invest Films.
 
Branco has completely lost the argument, said Cannes festival president Pierre Lescure on Twitter.
 
“His pathetic insults have come back like a boomerang… the only pleasure to emerge will be Gilliam's joy tomorrow evening,” he said.
 
Paris judges are due to rule next month on a wider case over who owns the rights, and courts in France and Britain have previously sided with Portuguese-born Branco in the long-running dispute. Branco said he still had the rights to the film after a failed attempt to make it in 2016 when funding fell short.
 
Gilliam, 77, and his new backers then completed work on the saga at a cost of €16.3 million ($19.4 million) between March and June 2017.
 
Bulletproof jacket
 
The legendary polymath and former Monty Python star, whose films include classics like “Time Bandits” and “Brazil”, has struggled for nearly two decades to get the film to the screen.
 
His various attempts to shoot the surreal story based on Cervantes' “unfilmable” novel have been beset by a series of calamities, some of them recounted in the acclaimed 2002 documentary, “Lost in La Mancha”.
 
The set was washed away during an aborted attempt to make it in 2000 with Johnny Depp, when lead actor Jean Rochefort also had to be airlifted to hospital after falling ill.
 
A host of Hollywood stars including Ewan McGregor, John Hurt, Robert Duvall and Jack O'Connell were later linked with the project, but each time the production fell through.
 
Gilliam had earlier told AFP that Branco had “nothing to do with the (final) film”, and joked Thursday that he would wear a bulletproof jacket to the premiere.
 
“There is no negotiating with him — his demands are laughable, absurd. He is trying to make as much money as he possibly can from a film he did not produce,” he added.
 
Branco told reporters earlier this month that he had sunk €800,000 ($948,000) of his own money into the project. “It is thanks to us that this film was made,” he said.

FILM

Cannes Film Festival postponed to July due to Covid

The Cannes Film Festival has been rescheduled for July 6th to 17th - postponed by around two months due to the ongoing virus crisis, organisers said on Wednesday.

Cannes Film Festival postponed to July due to Covid
The 2018 Palme d'Or winner Japanese director Hirokazu Kore-Eda posing for the cameras at the Cannes Film Festival, is an annual highlight for movie lovers in France. Photo: AFP

“As announced last autumn, the Festival de Cannes reserved the right to change its dates depending on how the global health situation developed,” they said in a statement.

“Initially scheduled from 11th to 22nd May 2021, the Festival will therefore now take place from Tuesday 6th to Saturday 17th July 2021.”

The festival was cancelled last year, while rival European events in Berlin and Venice went ahead under strict health restrictions.

The Berlin Film Festival, which usually kicks off in February, said last month it would run this year's edition in two stages, an online offering for industry professionals in March and a public event in June.

France has closed all cinemas, theatres and show rooms alongside cafés, bars and restaurants as part of its Covid-19 health measures and the government has pushed back their reopening date until further notice due to rising levels of viral spread across the country.

The Cannes festival normally attracts some 45,000 people with official accreditations, of whom around 4,500 are journalists.

It had only been cancelled once before, due to the outbreak of war in 1939.

Its Film Market, held alongside the main competition, is the industry's biggest marketplace for producers, distributors, buyers and programmers.

Last year, the festival still made an official selection of 56 films – including the latest offerings from Wes Anderson, Francois Ozon and Steve McQueen – allowing them to use the “Cannes official selection” label.

 

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