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Six authors who found inspiration in Switzerland

European artists and writers, from Voltaire and Goethe to Ian Fleming and F. Scott Fitzgerald, have found inspiration among the hills, valleys and mountains of Switzerland -- and it’s not hard to see why.

Six authors who found inspiration in Switzerland
Photo: CreativeFamily/Depositphotos
Here are six authors whose visits to Switzerland had a strong influence on their work. We challenge you to read them and not feel inspired to travel here yourself.
 
1. Lord Byron
 
Together with some literary pals, Byron spent five months in a chateau by Lake Geneva, drinking plenty of wine and taking liquid opium. But the group were a lot more productive than most 20-somethings on holiday, with all of them penning works that would enter the English literary canon.
 
A volcanic eruption in Indonesia meant a cloud of volcanic ash had settled across the landscape, and the summer was dark and gloomy, but Byron’s diaries reveal how much he enjoyed taking excursions around the area. He was particularly impressed by the Château de Chillon, a former prison, and wrote a 392-line poem about it: The Prisoner of Chillon. Visit the castle today, and you can see graffiti supposedly carved by Byron himself in its dungeon.
 
Chateau de Chillon. Photo: Swiss Tourism
 
2. Mary Shelley
 
Eighteen-year-old Shelley, then Mary Godwin, accompanied Byron and her future husband Percy Shelley on the trip, which is where she came up with the idea for Frankenstein. Trapped inside by the poor weather one evening, the group decided to take it in turns to come up with a horror story, which is when Shelley conceived the idea of a monster created by an ambitious doctor. Dr Frankenstein is from Geneva, and the book contains plenty of references to the area’s lakes and mountains, including the Saleve.
 
Another member of the group, Dr Polidori, wrote The Vampyre at the same time; thought to be the first vampire story in English, it was later adapted into Bram Stoker’s Count Dracula.
 
Frankenstein's monster climbed up the Saleve mountain near Geneva. Photo: Olivier Miche/Geneva Tourism
 
3. Sir Arthur Conan Doyle
 
Conan Doyle travelled to Switzerland frequently — in fact he played a key role in the development of alpine skiing in Switzerland. He actually did a lot more than writing; he was also a physician, political campaigner, freemason and keen sportsman, and was fed up of being defined solely by his stories about the fictional detective, Sherlock Holmes.
 
So he was searching for a way to kill off his creation, and the impressive Reichenbach Falls, close to Meiringen, provided a suitably dramatic setting for the final showdown between Holmes and his nemesis, Professor Moriarty. The description of the scene is one of Conan Doyle’s most celebrated passages, though the outcry from grieving Holmes fans — or was it the large check offered by publishers? — proved incentive enough to resurrect his hero.
 
You can stay at the Park Hotel du Sauvage (thought to be where Conan Doyle stayed, and the inspiration for the Englischer Hof in the story) and its current director has capitalized on the connection, with a plaque, a Holmes statue and full replica of 221b Baker street, while nearby Meiringen has its own Sherlock Holmes Museum.
 
Meiringen. Photo: Jungfrau Tourism
 
4. JRR Tolkien
 
Visiting Switzerland might be the closest you can get to Middle Earth on actual Earth. Yep, the films might be set in New Zealand, but in letters to his son, Tolkien revealed that a trip through the Swiss Alps as a teenager inspired many of the settings in his Lord of the Rings trilogy and The Hobbit: the Misty Mountains, Rivendell and the Dwarven Realm. With scenery like the Lauterbrunnen Valley’s waterfalls and forests, cliffs and glaciers, it’s easy to see why.
 
Lauterbrunnen was the inspiration for Rivendell. Photo: Christof Sonderegger/Swiss Tourism
 
5. Mark Twain
 
A Tramp Abroad tracks Twain’s travels through Germany to Italy, passing through Switzerland ( Lucerne, Zermatt, Geneva and Interlaken), and combines beautiful descriptions of the scenery with witty observations of the locals and their customs.
 
One of the most beloved passages is a dramatic depiction of an ascent up the Riffelberg. There are plenty of Twain trails in different areas, so you can retrace his footsteps and see if you agree that “Switzerland is simply a large, lumpy, solid rock with a thin skin of grass stretched over it”.
 
The Riffelsee near Zermatt. Photo: Roland Hutter/Zermatt Tourism
 
6. John le Carré
 
While others have found artistic inspiration in Switzerland’s mountains and misty glaciers, it was the atmosphere of intrigue in the neutral country during the Cold War that enthralled John le Carré. A Perfect Spy is his most autobiographical novel – le Carré studied German at the University of Bern and became a spy there, so his depictions should be authentic.
 
Bern. Photo: Jan Geerk/Swiss Tourism
 
A version of this article was published in July 2016

HISTORY

‘Lost’ manuscript of pro-Nazi French author published 78 years later

A book by one of France's most celebrated and controversial literary figures arrives in bookstores this week, 78 years after the manuscript disappeared

'Lost' manuscript of pro-Nazi French author published 78 years later

It is a rare thing when the story of a book’s publication is even more mysterious than the plot of the novel itself.

But that might be said of Guerre (War) by one of France’s most celebrated and controversial literary figures, Louis-Ferdinand Celine, which arrives in bookstores on Thursday, some 78 years after its manuscript disappeared.

Celine’s reputation has somehow survived the fact that he was one of France’s most eager collaborators with the Nazis.

Already a superstar thanks to his debut novel Journey to the End of the Night (1932), Celine became one of the most ardent anti-Semitic propagandists even before France’s occupation.

In June 1944, with the Allies advancing on Paris, the writer abandoned a pile of his manuscripts in his Montmartre apartment.

Celine feared rough treatment from authorities in liberated France, having spent the war carousing with the Gestapo, and giving up Jews and foreigners to the Nazi regime and publishing racist pamphlets about Jewish world conspiracies.

For decades, no one knew what happened to his papers, and he accused resistance fighters of burning them. But at some point in the 2000s, they ended up with retired journalist Jean-Pierre Thibaudat, who passed them – completely out of the blue – to Celine’s heirs last summer.

‘A miracle’
Despite the author’s history, reviews of the 150-page novel, published by Gallimard, have been unanimous in their praise.

“The end of a mystery, the discovery of a great text,” writes Le Point; a “miracle,” says Le Monde; “breathtaking,” gushes Journal du Dimanche.

Gallimard has yet to say whether the novel will be translated.

Like much of Celine’s work, Guerre is deeply autobiographical, recounting his experiences during World War I.

It opens with 20-year-old Brigadier Ferdinand finding himself miraculously alive after waking up on a Belgian battlefield, follows his treatment and hasty departure for England – all based on Celine’s real experiences.

His time across the Channel is the subject of another newly discovered novel, Londres (London), to be published this autumn.

If French reviewers seem reluctant to focus on Celine’s rampant World War II anti-Semitism, it is partly because his early writings (Guerre is thought to date from 1934) show little sign of it.

Journey to the End of the Night was a hit among progressives for its anti-war message, as well as a raw, slang-filled style that stuck two fingers up at bourgeois sensibilities.

Celine’s attitude to the Jews only revealed itself in 1937 with the publication of a pamphlet, Trifles for a Massacre, which set him on a new path of racial hatred and conspiracy-mongering.

He never back-tracked. After the war, he launched a campaign of Holocaust-denial and sought to muddy the waters around his own war-time exploits – allowing him to worm his way back into France without repercussions.

‘Divine surprise’
Many in the French literary scene seem keen to separate early and late Celine.

“These manuscripts come at the right time – they are a divine surprise – for Celine to become a writer again: the one who matters, from 1932 to 1936,” literary historian Philippe Roussin told AFP.

Other critics say the early Celine was just hiding his true feelings.

They highlight a quote that may explain the gap between his progressive novels and reactionary feelings: “Knowing what the reader wants, following fashions like a shopgirl, is the job of any writer who is very financially constrained,” Celine wrote to a friend.

Despite his descent into Nazism, he was one of the great chroniclers of the trauma of World War I and the malaise of the inter-war years.

An exhibition about the discovery of the manuscripts opens on Thursday at the Gallimard Gallery and includes the original, hand-written sheets of Guerre.

They end with a line that is typical of Celine: “I caught the war in my head. It is locked in my head.”

In the final years before his death in 1961, Celine endlessly bemoaned the loss of his manuscripts.

The exhibition has a quote from him on the wall: “They burned them, almost three manuscripts, the pest-purging vigilantes!”

This was one occasion – not the only one – where he was proved wrong.

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