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Dalí exhumation: ‘His moustache remains intact – pointing in the ten-past-ten position’

When his tomb was opened, forensic experts found that Dalí's embalmed body remained perfectly intact, even his moustache was pointing upwards in the ten-past-ten position.

Dalí exhumation: 'His moustache remains intact - pointing in the ten-past-ten position'

Narcis Bardalet, who was responsible for embalming Salvador Dalí's body 28 years ago was at his grave the moment he was exhumed on Thursday night.

“His face was covered with a silk handkerchief, an exquisite handkerchief. As I removed the handkerchief, I saw with great joy how his mustache remained intact, pointing to 10-past-10 (like on a clock face), just as he wanted,” Bardalet told Catalan radio station RAC1 on Friday morning. “It's a miracle”.

“It was a moving moment for him and for us,” Lluis Penuelas Reixach, the secretary general of the Salvador Dali Foundation, told a press conference.

He confirmed that DNA samples were taken from “his skin, nail and two long bones.”

Forensics experts exhumed Dalí's remains from a tomb in his Spanish hometown on Thursday, nearly three decades after his death, in order to test a fortune teller's claims that she is the only daughter of the surrealist.

Working behind closed doors, they removed a slab weighing more than a tonne which covers the tomb of the artist at the Dalí Theatre-Museum in Figueres in northeastern Spain where he was born.

“The biological specimens have been taken from Salvador Dalí's remains,” Catalonia's High Court of Justice said in a statement around 11:50 pm (2150 GMT).

It said Dalí's coffin had been opened at 10:20 pm so that work could begin.  

  Forensic experts leave the Dalí museum after taking the DNA samples. Photo: AFP

The DNA samples in the form of bone or tooth fragments will be sent to Madrid to undergo the necessary tests.   

A crowd of onlookers gathered outside the elaborate museum of Dalí's work to watch as police escorted the experts into the building which is topped by a huge metallic dome decorated with egg shapes. Dalí designed the building himself.

The museum, a top tourist site that drew over 1.1 million visitors last year, was covered in some places with cloth to prevent drones from capturing images.

“A day like this arouses in me a great deal of feeling because it reminds me of the day of his death,” Maria Lorca, who was the mayor of Figueras at the time of Dalí's death in 1989 at age 84, told AFP.

The eccentric artist would have enjoyed the atmosphere outside the museum, Lorca added.

“He would feel at home, it is a day that suits his way of being,” Lorca said.

READ ALSO: Six surreal facts from the life of Salvador Dalí

A huge fortune

Pilar Abel, a 61-year-old who long worked as a psychic in Catalonia, says her mother had a relationship with the artist when she worked in Cadaques, a picturesque Spanish port where the painter lived for years.

A Madrid judge last month granted her a DNA test to find out whether her allegations are true.

If Abel is confirmed as Dalí's only child, she could be entitled to 25 percent of the huge fortune and heritage of one of the most celebrated and prolific painters of the 20th century, the woman's lawyer Enrique Blanquez said.  

Dalí's estate, which includes properties and hundreds of paintings, is entirely in the hands of the Spanish state.  

The Salvador Dalí Foundation which manages the estate says it was worth nearly €400 million ($460 million) at the end of 2016.    The Salvador Dalí Foundation is to provide details of the exhumation at a press conference on Friday at 8:00 am (0600 GMT).  

Abel has already provided a saliva sample for comparison and the results are expected within a matter of weeks.  

In an interview with AFP last month, just days after a court ordered the exhumation, Abel said her grandmother had told her she was Dalí's daughter when she was seven or eight years old. Her mother admitted it much later.  

Abel is from the city of Figueras, like Dalí, and she said she would often see him in the streets.

“We wouldn't say anything, we would just look at each other. But a glance is worth a thousand words,” she said.

'Known in the village'

A question has always hung over his sexuality, with some claiming he was a closet homosexual who preferred to watch others having sex rather than taking part.

But according to Abel's lawyer Blanquez, his affair was “known in the village, there are people who have testified before a notary”.  

Born on May 11, 1904 in Figueras to a bourgeois family, Dalí developed an interest in painting from an early age.  

In 1922 he began studying at the Fine Arts Academy in Madrid where he developed his first avant-garde artistic ideas in association with poet Federico Garcia Lorca and the filmmaker Luis Buñuel.

Soon he left for Paris to join the surrealist movement, giving the school his own personal twist and rocketing to fame with works such as “The Great Masturbator.”

Returning to Catalonia after 12 years, he invited French poet Paul Eluard and his Russian wife Elena Ivanovna Diakonova to Cadaques.    

She became his muse — he gave her the pet name Gala — and remained at his side for the rest of her life.

They never had children and she died in 1982, seven years before Dalí's death.

READ MORE: Did Salvador Dalí father a secret love child?

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African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old told AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

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