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Are you my surreal dad? Dalí to be exhumed in paternity case

Salvador Dalí's remains are to be exhumed on Thursday from his Spanish hometown in an effort to test a fortune teller's claims the renowned surrealist is her father.

Are you my surreal dad? Dalí to be exhumed in paternity case
Pilar Abel believes she is the daughter of the artist.

The artist's body is buried in the elaborate museum of his work Dalí designed himself in the northeastern Spanish town of Figueres, where he was born over 110 years ago.

Pilar Abel, a 61-year-old who long worked as a psychic in Catalonia, says her mother had a relationship with the artist when she worked in Port Lligat, a tiny fishing hamlet where the painter lived for years.

If Abel is confirmed as the only child of Dalí, she could be entitled to part of the huge fortune and heritage of one of the most celebrated and prolific painters of the 20th century.

The Salvador Dalí Foundation had tried to fight off the exhumation with an appeal, but there was not enough time for all parties to present their case, a court spokesman told AFP.

Barring some “administrative or logistical surprise”, the exhumation will go ahead, he said.

READ ALSO: Six surreal facts from the life of Salvador Dalí

Authorities will begin removing the over one-tonne slab covering the tomb of the eccentric artist, who died in 1989 with no known child heirs, after visitors have cleared out for the day from the Dalí Theatre-Museum.

Experts will take DNA samples in the form of bone or tooth fragments directly from the grave where Dalí was buried and they will then be sent to Madrid to undergo the necessary tests.

Abel has already provided a saliva sample for comparison, with results expected within a matter of weeks, said the woman's lawyer Enrique Blanquez.

Dalí and Gala

The museum, a major tourist site that drew over 1.1 million visitors last year, will be covered in some places with cloth to prevent drones from capturing images of the exhumation.

In an interview with AFP last month, just days after a court ordered the exhumation, Abel said her grandmother first told her she was Dalí's daughter when she was seven or eight years old, and her mother admitted it much later.    

Abel is from the city of Figueres, like Dalí, and she said she would often see him in the streets.

“We wouldn't say anything, we would just look at each other. But a glance is worth a thousand words,” she said.  

Notoriously eccentric, Dalí's life was marked as much by the genius of his work as by his own extravagances.

A question has always hung over his sexuality, with some claiming he was a closet homosexual who preferred to watch others having sex rather than taking part.

But according to Blanquez, his affair was “known in the village, there are people who have testified before a notary”.    

READ MORE: Did Salvador Dalí father a secret love child?

Photo: AFP

Born on May 11, 1904 in Figueres to a bourgeois family — Dalí's father was a legal clerk — he developed an interest in painting from an early age.    

In 1922 he began studying at the Fine Arts Academy in Madrid, where, despite being expelled twice, he developed his first avant-garde artistic ideas in association with poet Federico Garcia Lorca and the filmmaker Luis Bunuel.

Soon he left for Paris to join the surrealist movement, giving the school his own personal twist and rocketing to fame with works such as “The Great Masturbator.”

Returning to Catalonia after 12 years, he invited French poet Paul Eluard and his Russian wife Elena Ivanovna Diakonova to Cadaques.  

It was love at first sight between Dalí and the woman to whom he gave the pet name Gala.

She became his muse and remained at his side for the rest of her life and died in 1982. The couple never had children.

By Benjamin Bouly Rames and Adrien Vicente / AFP

ART

African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old told AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

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