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ARCHITECTURE

Three Spanish architects win Pritzker Prize

Three relatively unknown Spanish architects - Rafael Aranda, Carme Pigem and Ramon Vialta - on Wednesday won the prestigious Pritzker Prize for a body of work that showcases modern materials like recycled steel and plastic.

Three Spanish architects win Pritzker Prize
Photo: AFP

It was the first time that the architecture prize has been shared by three people –  all partners in RCR Arquitectes, a firm based in Spain's Catalonia region.

“Their works range from public and private spaces to cultural venues and educational institutions, and their ability to intensely relate the environment specific to each site is a testament to their process and deep
integrity,” said Tom Pritzker, chairman of the foundation that sponsors the prize.

 

Introducing Rafael Aranda, Carme Pigem and Ramon Vilalta… https://t.co/BI3oknRL9H

— Pritzker Prize (@PritzkerPrize) March 1, 2017

 


The choice was seen as a move away from the celebrity architects that have dominated the field in favour of a trio of professionals who have worked together for 30 years in their hometown of Olot in Catalonia.

Nestled deep in the countryside of Spain's northeast, Olot is surrounded by beech trees, marshes and volcanoes — a dramatic natural landscape that has long inspired their work.

In a globalised world, the prize announcement said, people increasingly fear “we will lose our local values, our local art, and our local customs”.

“Rafael Aranda, Carme Pigem and Ramon Vilalta tell us that it may be possible to have both… our roots firmly in place and our arms outstretched to the rest of the world,” it said.

Among their most celebrated buildings are the La Lira Theatre public space in Spain and the Soulages Museum in Rodez in southwestern France.

“Their vocabulary is metal,” especially weathered Cor-Ten steel, which has been deployed at some of their best-known works, said Francis Rambert, who directs the French Architecture Institute at the Chaillot museum in Paris.

But light also plays a fundamental role in their creations, Rambert said, referring in particular to Les Cols, a restaurant in Olot where the rooms have glass walls on all sides, while still providing a sense of intimacy.

“You feel as if you are alone,” he said.

It is only the second time that the Pritzker Prize has gone to Spanish architects, and the first time that it has been shared by a trio. 

“It is a great joy and a great responsibility. We are thrilled that this year, three professionals, who work closely together in everything we do, are recognised,” Pigem said.

“Sometimes, it feels as if you have to choose between the local and the global. With us, everyone can understand that you can be closely tied to the local while being open to the world.”

Inspired by home nature

The winners' firm, RCR Arquitectes, has completed projects in Belgium, France and as far as Dubai, but the bulk of their work has been in Spain, much of it in Catalonia, a fiercely autonomous region where many want independence.

“Their works range from public and private spaces to cultural venues and educational institutions, and their ability to intensely relate the environment specific to each site is a testament to their process and deep integrity,” said Tom Pritzker, chairman of the Hyatt Foundation, which sponsors the prize.

Pigem and Vilalta, who are a couple, graduated from the Valles School of Architecture near Barcelona in 1987. They partnered with Aranda – who was also just out of university – to set up shop in Olot.

“Olot, it's our little world,” Vilalta told AFP in 2014 when the Soulages Museum was inaugurated.

Influenced by the modern Barcelona designs that burst into the limelight  during the 1992 Olympic Games, they also cite painters like Mark Rothko and Pierre Soulages, and Spanish sculptor Eduardo Chillida as sources of inspiration.

Japan's traditional architecture has also influenced their work.

Their buildings reflect the simplicity and colours of their region, such as the omnipresent dark steel in their work that calls to mind volcanic rocks.

The prize will be awarded to the three Spaniards in Tokyo on May 20th.

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ARCHITECTURE

Futuristic Gehry tower opens in World Heritage Arles

Rising high beyond an ancient Roman arena in Arles, a tall, twisted tower created by Frank Gehry shimmers in the sun, the latest futuristic addition to this southern French city known for its World Heritage sites.

Futuristic Gehry tower opens in World Heritage Arles
Gehry's Luma Tower opens in Arles, France. Photo: H I / Pixabay

The tower, which opens to the public on Saturday, is the flagship attraction of a new “creative campus” conceived by the Swiss Luma arts foundation that wants to offer artists a space to create, collaborate and showcase their work.

Gehry, the 92-year-old brain behind Bilbao’s Guggenheim museum and Los Angeles’ Walt Disney Concert Hall, wrapped 11,000 stainless steel panels around his tower above a huge glass round base.

It will house contemporary art exhibitions, a library, and offices, while the Luma Arles campus as a whole will host conferences and live performances.

From a distance, the structure reflects the changing lights of this town that inspired Van Gogh, capturing the whiteness of the limestone Alpilles mountain range nearby which glows a fierce orange when the sun sets.

Mustapha Bouhayati, the head of Luma Arles, says the town is no stranger to
imposing monuments; its ancient Roman arena and theatre have long drawn the
crowds.

The tower is just the latest addition, he says. “We’re building the heritage of tomorrow.”

Luma Arles spreads out over a huge former industrial wasteland.

Maja Hoffmann, a Swiss patron of the arts who created the foundation, says
the site took seven years to build and many more years to conceive.

Maja Hoffmann, founder and president of the Luma Foundation. Photo: Pascal GUYOT / AFP

Aside from the tower, Luma Arles also has exhibition and performance spaces in former industrial buildings, a phosphorescent skatepark created by South Korean artist Koo Jeong A and a sprawling public park conceived by Belgian landscape architect Bas Smets.

‘Arles chose me’

The wealthy great-granddaughter of a founder of Swiss drug giant Roche, Hoffmann has for years been involved in the world of contemporary art, like her grandmother before her.

A documentary producer and arts collector, she owns photos by Annie Leibovitz and Diane Arbus and says she hung out with Jean-Michel Basquiat in New York.

Her foundation’s stated aim is to promote artists and their work, with a special interest in environmental issues, human rights, education and culture.

She refuses to answer a question on how much the project in Arles cost. But as to why she chose the 53,000-strong town, Hoffmann responds: “I did not choose Arles, Arles chose me.”

She moved there as a baby when her father Luc Hoffmann, who co-founded WWF,
created a reserve to preserve the biodiversity of the Camargue, a region between the Mediterranean Sea and the Rhone river delta known for its pink flamingos.

The tower reflects that, with Camargue salt used as mural panels and the
delta’s algae as textile dye.

Hoffmann says she wants her project to attract more visitors in the winter, in a town where nearly a quarter of the population lives under the poverty line.

Some 190 people will be working at the Luma project over the summer, Bouhayati says, adding that Hoffman has created an “ecosystem for creation”.

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