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Vienna philharmonic heard around the world

The Vienna Philharmonic rung in 2017 with its famed New Year's Concert on Sunday under the baton of the orchestra's youngest-ever conductor, charismatic Venezuelan Gustavo Dudamel.

Vienna philharmonic heard around the world
Gustavo Dudamel. Photo: ORF

The 35-year-old, who currently leads the Los Angeles Philharmonic, follows in the footsteps of giants such as Herbert von Karajan, Claudio Abbado and Zubin Mehta.

“An incredible honour to lead this year's New Year's Concert,” Dudamel tweeted hours before the glittering event, broadcast live in more than 90 countries and watched by millions of people.

The annual “Neujahrskonzert” held inside the Great Hall of the exalted Musikverein in Vienna is largely dedicated to the 19th-century Strauss composer family.

The 2017 programme twirled through waltzes, polkas and marches before ending with the legendary Radetzky March by the elder Johann Strauss.

The finale also featured the much-loved Blue Danube by his son Johann Strauss, which is celebrating its 150th anniversary next month.

But every edition also has some variety and this year's non-Strauss pieces included Otto Nicolai's The Merry Wives of Windsor.

At one point, the lighthearted event saw a group of young ballet dancers burst into the gilded hall and pirouette their way through the seated public.

The orchestra meanwhile was dressed by fashion super star Vivian Westwood and her Austrian-born husband Andreas Kronthaler.

At the end of the two-and-a-half-hour show, a visibly elated Dudamel received a standing ovation, including from Foreign Minister Sebastian Kurz who was among the many personalities in attendance.

“(Conducting the Blue Danube) means now I can die in peace,” the maestro had euphorically told a press conference in Vienna on Thursday.

Shortly after Sunday's performance, the Vienna Philharmonic announced that a familiar face will return to the stage for the next edition — Italian great Riccardo Muti who will conduct the concert on January 1, 2018 for the fifth time.

The event started life on December 31, 1939, under the Nazis but in the subsequent years these dark beginnings were forgotten and it gradually became a regular highlight in the classical music calendar.

In the 1980s after the 25-concert reign of Austrian Willi Boskovsky and six-times American successor Lorin Maazel — who died this year — it was decided to have a different conductor each year.

Due to extremely high demand, tickets for the concert are drawn by lottery at the beginning of each year.

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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