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Renowned cellist Heinrich Schiff dies

The Austrian cellist and conductor Heinrich Schiff passed away Friday in a Viennese hospital, after a long illness brought on by a stroke.

Renowned cellist Heinrich Schiff dies
Photo: Youtube screenshot

According to a report on the Slipped Disc music news site, Schiff was artistic director of the Northern Sinfonia in England from 1990 to 1996.  He also worked as the chief conductor of the Copenhagen Philharmonic and the Orchester Musikkollegium Winterthur. 

He was well known for his interpretation of the Schumann concerto and Bach's cello suites.  He had given up playing after his stroke in 2008, but continued to teach and conduct until his health declined.

In an interview with Slipped Disc last year, fellow cellist Steven Isserlis described Schiff's “crystal intelligence and his unique sense of humour”.

He told the website: “I was complaining (as usual) about the pressures of performing the Bach suites. He looked at me, and said quietly: ‘Bach saved my life’.

“I asked him what he meant and he told me that a few years ago, he had a serious stroke, and was in danger of losing all mobility on his left side.

“As soon as he got to hospital, and realised what was happening, he started (almost instinctively, I imagine) to go through the fingerings of the Prelude to Bach’s first suite, moving his fingers ceaselessly to the imaginary music.

“He did this for about 20 hours a day, he thinks; and gradually his whole body came back to life, powered by those fingerings.

“Today, you would never guess that he could have been half-paralysed, possibly even incapable of speech – or worse. The miracle of Bach – and of Heinrich.”

 

Schiff was born in GmundenAustria in 1951.  He was 65 years old.

 

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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