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HITLER

Adolf Hitler’s first biography written by the Führer himself

The first biography of Adolf Hitler which presented him as "Germany's saviour" and compared him to Jesus may have been written by the future dictator himself, a Scottish historian has claimed.

Adolf Hitler's first biography written by the Führer himself
Professor Thomas Weber believes the book was "almost certainly" written by Hitler. Photo: Aberdeen University
“Adolf Hitler: Sein Leben und seine Reden (Adolf Hitler: His Life and his Speeches)” was the first major profile of Hitler and appeared in 1923, authored by Victor von Koerber.
   
Historian Thomas Weber, from Aberdeen University, has unearthed documents in a South African archive which indicates the book was “almost certainly” written by Hitler himself as a “shameless but clever act of self-promotion”.
   
“The book, which also includes a collection of Hitler's speeches, makes some outlandish claims arguing that it should become 'the new bible of today' and uses terms such as 'holy' and 'deliverance', comparing Hitler to Jesus and likening his moment of politicalisation to Jesus' resurrection,” Weber said.
   
“To find it was actually written by Hitler himself…demonstrates that he was a conniving political operator with a masterful understanding of political processes and narratives long before he drafted what is regarded as his first autobiography, 'Mein Kampf'.”
   
Weber, a professor of history and international affairs and a visiting scholar at Harvard University, said he found the evidence while reviewing von Koerber's papers at the University of the Witwatersrand in Johannesburg for his new book about how Hitler became a Nazi.
   
The historian believes von Koerber was selected to front the biography due to his aristocratic lineage and reputation as a war hero.
   
“I found a signed testimony given under oath by the wife of the book's publisher stating that Victor von Koerber had not written the book and that Hitler had asked General Ludendorff (an ally in the failed putsch of 1923) if he could find a conservative writer without any connection to the Nazi party to put his name to it,” he said.
   
“I also found a statement by Koerber as well as a letter he wrote to a man with whom he had been incarcerated in a concentration camp that gave details about Hitler's authorship of the book.
   
“Subsequently, in Germany, I found a document from 1938 in which von Koerber alludes to Hitler writing the book, stating that it was written 'on the initiative of and with the active participation of Adolf Hitler'.”
   
The book also contains the first reference to Hitler's “political awakening” in a military hospital which “would later be repeated in almost identical language in Mein Kampf”.
   
Weber said: “Taken together, the pieces of evidence now available to us build a compelling picture that this was indeed an autobiography written to boost Hitler's profile as the 'German saviour' and that even at this early stage of his career he was an astute and manipulative political operator.”

OPERA

Hitler’s justly forgotten opera attempt goes on display in Austria

Adolf Hitler's admiration for German composer Richard Wagner is well-documented, but that the Nazi dictator attempted to write an opera himself will come as a surprise to many.

Hitler's justly forgotten opera attempt goes on display in Austria
A page from 'Wieland the Smith' on display at the museum. Photo: Joe Klamar/AFP
Nevertheless, a page of the work, entitled “Wieland der Schmied” (Wieland the Smith), goes on display to the public for the first time in a new exhibition on the “Young Hitler” opening in Austria this weekend.
   
A piano sketch of the first page, made by one of Hitler's few friends as a young man, August Kubizek, dates from 1908 when the future Nazi leader would have been around 20.   
 
Long speculated about, but never before seen in public, the manuscript was apparently written after Hitler had had only a few months of piano lessons, says Christian Rapp, one of the exhibition's curators.
   
And it clearly demonstrated the future dictator's “inflated sense of his own abilities”, Rapp told AFP.
   
The single sheet is believed to be the only surviving page of an ambitious project based on Germanic mythology that closely apes an unfinished work of the same name by Wagner himself.
   
The exhibition, entitled “Young Hitler: the Formative Years of a Dictator”, opens in Sankt Poelten in Lower Austria on Saturday and among the exhibits is a range of objects belonging to Hitler collected by Kubizek between 1907 and
1920.
 
Grandiose delusions
 
Kubizek initially kept them as mementos of his own youth before later realising they might be of historical importance.
   
They include letters and postcards written by Hitler to Kubizek, as well as paintings and architectural sketches by the young man — who was born on April 20, 1889 in the Austrian town of Braunau am Inn and whose artistic abilities
regularly fell short of his grandiose ambitions.
   
He sat the entrance examination for admission to Vienna's Academy of Fine Arts in both 1907 and 1908, but failed both times. Nevertheless, Hitler was always quick to find a scapegoat for his failures, said Rapp.
   
“Whenever something went wrong, it was always somebody else's fault, not his own,” the expert said.
   
Co-curator Hannes Leidinger said that even those who knew Hitler at a tender age in Austria testified to his “intransigent, aggressive” character.
 
For Rapp, the young Hitler “was already 'a bomb', if you like. World War I provided the fuse and then it was ignited in Germany — but you can make out the ingredients during his time here in Austria”.
   
In addition to tracing Hitler's personal history, the exhibition also seeks to explore the political and social context in Austria at the turn of the 20th century.
   
In particular, it tries to explain how many of the ideas that would gain such prominence in Nazi ideology — racism, anti-Semitism, militarism — had long since reached the mainstream of Austrian society, including among
sections of the left.
   
Austria has had a complex relationship with its Nazi past. For decades after World War II, successive Austrian governments insisted the country was a victim of the Nazi regime and sought to downplay the
complicity of many Austrians in the Nazis' crimes.
   
The curators said they hoped the exhibition would help shed light on Hitler's character, and also dispel the ideas that underpinned his genocidal ideology.
   
“Ways of thinking take so long to become widespread in a society, and they take as long to be dismantled… we will have work at that for decades,” Rapp said.