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NORDIC NOIR

Here’s how much Sweden’s highest-earning authors make

The stereotype of the struggling writer pursuing their noble endeavor despite little hope of financial gain may persist, but a new ranking of Sweden’s highest-earning authors shows that if you get it right, the written word can be big business.

Here's how much Sweden's highest-earning authors make
It was a good year for the likes of Jonas Jonasson (left) and Camilla Läckberg (right). Photo: Fredrik Sandberg/TT & Henrik Montgomery/TT

Swedish news agency Siren has detailed the 50 authors in the country who reported the highest profits in their most recent annual financial reports, and no less than 40 of them earned more than one million kronor ($116,523).

At the top of the pile was Jonas Jonasson, author of hit novel 'The Hundred-Year-Old Man Who Climbed Out the Window and Disappeared', who made 41 million kronor ($4.77 million) in 2015 alone.

He was followed in second place by Jonas Gardell (14.5 million kronor/$1.68 million), then in third by Fredrik Backman, who raked in a tidy 10.5 million kronor ($1.22 million) last year. Backman’s 'A Man Called Ove', which is now a New York Times best seller, no doubt helped.

Though Sweden is often thought of as one of the world’s most gender equal societies, the top ten was overwhelmingly dominated by men, with only two women present. The highest-earning woman was Nordic Noir icon Camilla Läckberg, author of hits like 'The Ice Princess' and 'The Hidden Child', who placed fourth overall and made 10.2 million kronor ($1.18 million).

The other female entry in the top ten was Kristina Ohlsson, the eighth highest earner with 5.1 million kronor ($593,960).

In an Instagram update, Läckberg said that though she doesn’t like to talk about money, she was proud to do her bit to break the male dominance of the writing world.

“As a woman I have always been inspired by successful women, and I hope I can be one of those who can inspire other women to dare to risk everything for their dream,” she wrote.

The full top ten highest-earning authors in Sweden in 2015 were:

1. Jonas Jonasson: 41 million kronor ($4.77 million)

2. Jonas Gardell: 14.5 million ($1.68 million)

3. Fredrik Backman: 10.5 million ($1.22 million)

4. Camilla Läckberg: 10.2 million ($1.18 million)

5. Jerker Eriksson and Alexander Sundquist: 10 million ($1.16 million)

6. Jan Guillou: 7.5 million kronor ($873, 455)

7. David Lagercrantz: 6.1 million kronor ($710,429)

8. Kristina Ohlsson: 5.1 million kronor ($593,960)

9. Fredrik Lindström: 3.9 million kronor ($454,208)

10. Hans Rosenfeldt: 3.7 million kronor ($430,984)

READ ALSO: Seven novels that will change the way you view Sweden

TELEVISION

Danish shows take TV world by storm

With original boundary-breaking content, thrilling plots and charismatic actors, Danish television series have captivated audiences worldwide in recent years.

Danish shows take TV world by storm
Danish actor Lars Mikkelsen plays the lead role in Ride Upon The Storm (Herrens Veje). Photo: Mads Joakim Rimer Rasmussen/Ritzau Scanpix

The latest show to hit the small screen is “Ride Upon the Storm” (Danish title: Herrens Veje), which is being distributed in almost 80 countries with a debut later this month in Britain, where it will be broadcast on Channel 4 by the station’s foreign language arm Walter Presents from January 28th.

The new drama was created by Adam Price, the BAFTA winner behind the acclaimed drama “Borgen”, which followed the political and personal tribulations of a Danish woman prime minister.

Danish shows, with both exoticism and gritty realism, have quickly soared in popularity beyond their initial local Scandinavian viewership, Pia Jensen, an Aarhus University communications associate professor specialising in television series, told AFP.

Long known for the Nordic noir crime genre, the big international breakthrough for Danish shows came with “The Killing”, a hard-hitting series following a Copenhagen female cop's investigations.

Then came crime thriller “The Bridge” in 2011.

The Nordic noir genre has proven so popular that its aesthetic and themes are now being replicated beyond Scandinavia's borders, with shows such as “Shetland” and “Broadchurch” made in Britain, Jensen said.

For foreign audiences, Denmark as it is shown on television is “an exotic society, something to aspire to because of the welfare state and the strong women characters”, she said, referring also to the 2010 hit “Borgen”.

She added, clearly amused, that it's “as if Denmark is the fantasy land of gender equality”.

Paradoxically, in this almost utopian world, the characters are “normal” people with whom audiences can identify, according to Jensen.

But now Danish TV series have moved beyond Nordic noir.

“Ride Upon the Storm” is a character-led drama about faith and a family of Danish priests, dominated by Johannes Krogh, a tempestuous God-like father battling numerous demons.

Actor Lars Mikkelsen, known from “The Killing” and his role as the Russian president in Netflix's “House of Cards”, plays Johannes, a role for which he won an International Emmy in November.

Mikkelsen “has set new standards for the portrayal of a main character in a TV series”, the show's creator Adam Price told AFP.

Johannes “is the 10th generation of priests, it's a huge burden that haunts him and he lets it haunt his sons too”.

His eldest son Christian is lost and at odds with the family and society, while younger son August is married and following in his father's priesthood footsteps before becoming a chaplain for troops stationed in Afghanistan.

“In the Bible, you have lots of stories of fathers and sons and brothers. That was the perfect ground to tell (a story) about masculine relationships, the competitive gene between men in a family,” Price said.

Elements from “Borgen” can be seen in Price's new venture: the efficient prime minister Birgitte Nyborg and Johannes Krogh, who is headed for the top as Bishop of Copenhagen, are both characters passionate about their work.

“But Johannes reacts differently than Birgitte (does) because his ambition is not within the world of politics, but with a more supernatural power,” Price said.

Thoughts on faith, religion and spirituality are mixed with a complex study of family.

“Religion is sometimes something imposed, as authority can be imposed on our children in a family. And both are dealt with in 'Ride Upon the Storm',” he said.

Price is currently working on “Ragnarok” for Netflix, a six-part Norwegian coming-of-age drama based on Norse mythology but set in a modern-day high school.

The second season of “Ride Upon the Storm” just wrapped up on Danish public television DR, which produced the series, and had around 500,000 viewers.

“Danish producers are mainly thinking of a Danish audience. It has to stay relevant to the Danish public and that's why DR keeps experimenting,” Jensen said.

“Some of the shows will travel and some won't.”

READ ALSO: The Bridge's Porsche 911 to be auctioned for charity