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ARCHITECTURE

Danish architect’s Sydney Opera House drama to be film

The story of the Sydney Opera House and its Danish architect Jørn Utzon is to be made into a movie, with the producer behind 'The Girl with the Dragon Tattoo' on board.

Danish architect's Sydney Opera House drama to be film
The story of Utzon's work on the Sydney Opera House "has all it takes for the big screen". Photo: Nickliv/Flickr
The Danish/Swedish/Australian production will tell the story of how Utzon upset the conservative Australian architectural establishment by winning an international competition to design the building and his battles to push through his radical ideas.
 
“Utzon was a great Danish architect and the story of how he created the Sydney Opera is both fascinating and scary. This story has to be told,” said Danish executive producer Ole Søndberg in a statement late Monday.
 
Søndberg is best known for producing 'The Girl with the Dragon Tattoo' and the 'Millennium-trilogy' based on Stieg Larsson's novels. He was also behind the popular 'Wallander' television series.
 
For the Utzon project he will team up with Swedish-Australian producer Jan Marnell, who has worked on a number of television mini-series and features over the last 30 years.  
 
Utzon arrived in Sydney as a celebrity in 1957 but his ambitious design, with the building's distinctive white sails drawn from his childhood in the Aalborg shipyards, was hit by domestic politics, petty jealousies and budget constraints.
 
The controversies that dogged him and the project for years saw him quit in 1966.
 
He never returned to see his revolutionary concept as a finished building, which was opened in 1973 by Britain's Queen Elizabeth II, and he died in 2008.
 
A year before his death, the harbourside building was added to the World Heritage List, with the committee saying the structure “stands by itself as one of the indisputable masterpieces of human creativity, not only in the 20th century but in the history of humankind”.
 
“We have a world wonder. We have its creator who wasn't allowed to see his dream fulfilled,” said producer Marnell.
 
“We have creativity versus bureaucracy and political maneuvering ranging from friend to foe. We have an outstanding architect with streaks of megalomania and genius, and his vengeful opponents who plot to get him out of the country,”
 
“It has all it takes for the big screen.”
 
No details were given on when 'Utzon: The Man Behind the Opera House' would begin filming.

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ARCHITECTURE

Futuristic Gehry tower opens in World Heritage Arles

Rising high beyond an ancient Roman arena in Arles, a tall, twisted tower created by Frank Gehry shimmers in the sun, the latest futuristic addition to this southern French city known for its World Heritage sites.

Futuristic Gehry tower opens in World Heritage Arles
Gehry's Luma Tower opens in Arles, France. Photo: H I / Pixabay

The tower, which opens to the public on Saturday, is the flagship attraction of a new “creative campus” conceived by the Swiss Luma arts foundation that wants to offer artists a space to create, collaborate and showcase their work.

Gehry, the 92-year-old brain behind Bilbao’s Guggenheim museum and Los Angeles’ Walt Disney Concert Hall, wrapped 11,000 stainless steel panels around his tower above a huge glass round base.

It will house contemporary art exhibitions, a library, and offices, while the Luma Arles campus as a whole will host conferences and live performances.

From a distance, the structure reflects the changing lights of this town that inspired Van Gogh, capturing the whiteness of the limestone Alpilles mountain range nearby which glows a fierce orange when the sun sets.

Mustapha Bouhayati, the head of Luma Arles, says the town is no stranger to
imposing monuments; its ancient Roman arena and theatre have long drawn the
crowds.

The tower is just the latest addition, he says. “We’re building the heritage of tomorrow.”

Luma Arles spreads out over a huge former industrial wasteland.

Maja Hoffmann, a Swiss patron of the arts who created the foundation, says
the site took seven years to build and many more years to conceive.

Maja Hoffmann, founder and president of the Luma Foundation. Photo: Pascal GUYOT / AFP

Aside from the tower, Luma Arles also has exhibition and performance spaces in former industrial buildings, a phosphorescent skatepark created by South Korean artist Koo Jeong A and a sprawling public park conceived by Belgian landscape architect Bas Smets.

‘Arles chose me’

The wealthy great-granddaughter of a founder of Swiss drug giant Roche, Hoffmann has for years been involved in the world of contemporary art, like her grandmother before her.

A documentary producer and arts collector, she owns photos by Annie Leibovitz and Diane Arbus and says she hung out with Jean-Michel Basquiat in New York.

Her foundation’s stated aim is to promote artists and their work, with a special interest in environmental issues, human rights, education and culture.

She refuses to answer a question on how much the project in Arles cost. But as to why she chose the 53,000-strong town, Hoffmann responds: “I did not choose Arles, Arles chose me.”

She moved there as a baby when her father Luc Hoffmann, who co-founded WWF,
created a reserve to preserve the biodiversity of the Camargue, a region between the Mediterranean Sea and the Rhone river delta known for its pink flamingos.

The tower reflects that, with Camargue salt used as mural panels and the
delta’s algae as textile dye.

Hoffmann says she wants her project to attract more visitors in the winter, in a town where nearly a quarter of the population lives under the poverty line.

Some 190 people will be working at the Luma project over the summer, Bouhayati says, adding that Hoffman has created an “ecosystem for creation”.

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