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ITALY

Italian town ‘forgets’ Roman theatre found under ex-factory

An ancient Roman amphitheatre, in the town of Fano, in the Marche region, is slowly rotting away beneath an abandoned factory from the early 1900s.

Italian town 'forgets' Roman theatre found under ex-factory
The theatre was discovered under a derelict building in 2001. Photo: Screengrab/Corriere

“The original builders most probably knew what they were building on, but they were different times,” Fano engineer Salvatore Vittorio Russo told Corriere della Sera.

Today, laws prohibit sites of archaeological interest from being developed, something the building's owners – a consortium of local businessmen – discovered to their chagrin.

Fifteen years ago they gained permission to turn the uncovered 1,830 square-metre ex-factory into 22 apartments.

“Before the project could get underway the council asked to perform a geophysical scan and found the remains of the theatre under the factory floor,” Russo explained.

It was quite a find.

Archaeologists suspect the full structure once stood some 20 metres high, 66 metres wide and could accommodate up to 10,000 people, making it one of the biggest Roman theatres in the region.

But in spite of its majestic scale, nothing more was done to excavate the ruin. Instead, Fano's long-lost amphitheater has lain exposed to the elements for more than a decade.

The theatre remains behind closed doors, in the heart of the abandoned factory, its impressive terraces adorned with dead animals and weeds.

The flimsy plastic sheeting which covers the structure has worn away in parts, exposing its ancient stone to the elements. The problem? A bureaucratic log-jam and the quest for profit.

After the new-found segment of the theatre was excavated, the council removed the building consortium's permit to build on the site, which remained private property.

After a series of lengthy negotiations with the council, the owners were offered the right to develop a much larger, 8144 square-metre site on the edge of the town where they could build 130 homes.

However, the generous offer came at the height of the financial crisis when the prospect of selling so many homes seemed bleak, and so the consortium refused.

Subsequent negotiations with changing local councils have done nothing to unblock the impasse.

“Until we own the site, we can't do anything with it, but it would be perfect for an interactive museum,” regional councillor Caterina Del Bianco told Corriere della Sera.

“We would need to find between €2 million and €3 million in funds to develop the site for which there are many options available between national and European funds,” she added.

For now, any ideas of transforming the derelict site into a tourist attraction which could take centre-stage in Fano must remain waiting in the wings.

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PARIS

Top Paris theatre reopens as Covid occupy movement ends

French actors, stage technicians and other members of the performing arts ended a more-than-two-month occupation of the famous Odéon theatre in Paris on Sunday, allowing the show to go on after this week's easing of Covid-19 curbs.

Top Paris theatre reopens as Covid occupy movement ends
A picture taken on January 26, 2011 in Paris shows the facade of the Odéon theatre. LOIC VENANCE / AFP

The protesters took down the banners they had slung across the facade of the venue in the Left Bank as they left at dawn, leaving just one inscribed “See you soon”.

“We’re reopening!,” theatre director Stéphane Braunschweig exclaimed on the venue’s website, adding that it was “a relief and a great joy to be able to finally celebrate the reunion of the artists with the public.”

The Odéon, one of France’s six national theatres, was one of around 100 venues that were occupied in recent weeks by people working in arts and entertainment.

The protesters are demanding that the government extend a special Covid relief programme for “intermittents” — performers, musicians, technicians and other people who live from contract to contract in arts and entertainment.

READ ALSO: Protesters occupy French theatres to demand an end to closure of cultural spaces

With theatres shut since October due to the pandemic, the occupations had gone largely unnoticed by the general public until this week when cultural venues were finally cleared to reopen.

The Odéon, which was inaugurated by Marie-Antoinette in 1782, had planned to mark the reopening in style, by staging Tennessee Williams’ masterpiece “The Glass Menagerie”, with cinema star Isabelle Huppert as a former southern belle mourning the comforts of her youth.

But the protests scuppered the first five performances, with management saying the venue was blocked — a claim the protesters denied.

“What we wanted was for it (the performance) to go ahead, along with an occupation allowing us to speak out and hang our banners. We don’t want to stop the show,” Denis Gravouil, head of the performing arts chapter of the militant CGT union, said on Sunday.

Two other major theatres — the Colline theatre in eastern Paris and the National Theatre of Strasbourg — have also been affected by the protests.
 
France has one of the world’s most generous support systems for self-employed people in the arts and media, providing unemployment benefit to those who can prove they have worked at least 507 hours over the past 12 months.

But with venues closed for nearly seven months, and strict capacity limits imposed on those that reopened this week, the “intermittents” complained they could not make up their hours.

The government had already extended a year-long deadline for them to return to work by four months.

The “intermittents” are pushing for a year-long extension instead.

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