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DEATH OF DAVID BOWIE

MUSIC

Berlin pays tribute to dearly departed Bowie

As news of David Bowie's passing reached the German capital on Monday morning, Berliners were quick to pay tribute to one of the city's most famous and universally loved adopted children.

Berlin pays tribute to dearly departed Bowie
David Bowie on stage outside the Reichstag in 1987. Photo: DPA

“Berliners are mourning a musical genius and one of their most famous fellow citizens,” Berlin mayor Michael Müller wrote, adding that the city's connection with Bowie had not just been musical.

“He as an artist belonged to us,” Müller added. “We are proud of that.”

By 9:26am, people had already begun leaving candles and floral tributes outside the Hauptstrasse 155 block of flats in the Schöneberg district, where Bowie lived with Iggy Pop in the late 1970s while recording his “Berlin Trilogy” of albums.

By 3:25pm, the building was besieged with flowers – with one of the bouquets even playing Bowie's music to passers-by.

And the star's passing was front-page news on the online editions of all the capital's newspapers.

“David was the rare artist that truly searched for that 'whatever it is' until the end of his life – he held a torch high so others might see the paths and possibilities in the dark ahead,” Anton Newcombe, lead singer of The Brian Jonestown Massacre and Berlin resident, told The Local.

“He brought great things out in others,” Newcombe added, name checking Iggy Pop and Tony Visconti.

DON'T MISS: David Bowie's Berlin in pictures 

“David provided a foundation to bring some of the most important music of our time – my time – into being.”

Newcombe also pointed to “Heroes”, Bowie's blockbuster collaboration with Brian Eno – which Bowie also sung in German as “Helden” – as his “finest hour”.

Bowie sung it at a legendary concert in front of the Reichstag (parliament building) – then a deserted hulk abandoned for decades because of its proximity to the Berlin Wall – in 1987.

The song, released on the album of the same name in 1977, had become an instant hit with its lyrics referencing the Wall – and the hope that the people might one day overthrow it.

I, I can remember (I remember)
Standing, by the wall (by the wall)
And the guns shot above our heads
(over our heads)
And we kissed, 
as though nothing could fall
(nothing could fall)
And the shame was on the other side
Oh we can beat them, for ever and ever
Then we could be Heroes, 
just for one day

“'Heroes' is one of Bowie's best-known works and became an anthem for our still-divided city and its longing for freedom,” Berlin mayor Müller said of the song.

“With this song, Bowie didn't just set an enduring bar for music, but also expressed irreversibly his connection to our city.”

The German Foreign Ministry went so far as to say that Bowie's song “helped to bring down the Wall”.

The Wall would be a theme Bowie returned to decades later with the release of “Where are we now” in 2013 – in which he sings of the Bösebrücke in northern Berlin, where the first checkpoint was opened in 1989.

The Local will be following the tributes to Bowie from Berlin throughout the day and updating this article – please check back.

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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