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Sweden’s Spotify hit by huge copyright battle

Swedish streaming site Spotify is in hot water after a US-based artist filed a $150 million lawsuit alleging that it has knowingly reproduced copyrighted songs.

Sweden's Spotify hit by huge copyright battle
The band Camper Van Beethoven which is involved in the battle. Photo: Camper Van Beethoven

David Lowery, best known for leading alternative rock bands Cracker and
Camper Van Beethoven, has asked a US judge to allow a class action suit on behalf
of “hundreds of thousands” of potential plaintiffs he believes were affected.

The lawsuit, filed this week in a federal court in Los Angeles, accuses the streaming giant of disregard on so-called mechanical rights — which, unlike performance rights that cover the playing of a recording, pertain to permission to reproduce copyrighted material.

Lowery, who holds a degree in mathematics and is a lecturer at the University of Georgia, accused Spotify of copying and distributing compositions for its online service without permission or informing the copyright holders.

Lowery himself listed four tracks from Camper Van Beethoven or Cracker that he said were taken without his permission for Spotify's more than 75 million users.

The lawsuit also alleged unfair business practices by the Swedish-founded company, saying that its payment structure was arbitrary and “depresses the value of royalties” overall.

“Unless the court enjoins and restrains Spotify's conduct, plaintiff and the class members will continue to endure great and irreparable harm that cannot be fully compensated or measured in monetary value alone,” the lawsuit said.

While not specific about the request for compensation, the lawsuit charged that Spotify has been “unjustly enriched” by at least $150 million.

As evidence, the lawsuit took aim at what it said was a fund by Spotify of millions of dollars to settle royalty claims.

“The existence of this fund reflects Spotify's practice and pattern of copyright infringement, wherein Spotify reproduces and/or distributes the works without first obtaining appropriate authorization or license,” it said.

But Spotify also alluded to the fund in a response to the lawsuit, characterizing it instead as a sign of goodwill.

“We are committed to paying songwriters and publishers every penny. Unfortunately, especially in the United States, the data necessary to confirm the appropriate rights-holders is often missing, wrong or incomplete,” Spotify spokesman Jonathan Prince said in a statement Tuesday.

Spotify said that it had been setting aside royalty money for future payouts when it could not confirm the identities of rights-holders.

The company said it was working in the United States with the National Music Publishers Association to find technical ways “to solve this problem for good.”

Spotify has frequently defended itself against charges from artists — notably Taylor Swift — that it pays back too little.

Spotify's founder Daniel Ek said in June that the site has paid out more than $3 billion in royalties as the company argued that streaming was a rare point of growth in a long stagnant music industry.

The company has long argued that, despite the criticism, it plays by the rules on licensing as it has worked out deals with record companies and songwriters' rights groups.

BUSINESS

Spotify reports strong growth in users as it announces price rise

Spotify on Tuesday reported a bigger-than-expected rise in active users at the end of the second quarter, a day after the music streaming giant announced price increases for its premium service.

Spotify reports strong growth in users as it announces price rise

The Swedish company, which is listed on the New York stock exchange, said it’s total active users rose 27 percent to 551 million year-on-year, or 21 million more than it expected. The number of paying subscribers also rose, with a 17 percent jump to 220 million — three million more than expected.

On Monday, the company announced it was raising its prices for premium subscribers “across a number of markets around the world,” following in the footsteps of similar moves by competing music services from Apple and Amazon.

Despite the boost in users, Spotify reported a bigger operating loss of 247 million euros ($273 million) in the second quarter, compared to a loss of 194 million euros for the same period a year earlier.

The company said it was “primarily impacted by charges related to our actions to streamline operations and reduce costs.”

In early June, Spotify announced it would be cutting some 200 positions working with podcasts.

That move came after a January announcement that Spotify was cutting around 600 jobs — equalling about six percent of its workforce — following similar moves by other tech industry giants.

Spotify has invested heavily since its launch to fuel growth with expansions into new markets and, in later years, exclusive content such as
podcasts. It has invested over a billion dollars into podcasts alone.

In 2017, the company had around 3,000 staff members, more than tripling the figure to around 9,800 at the end on 2022.

The company has never posted a full-year net profit and only occasionally quarterly profits despite its success in the online music market.

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