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MONA LISA

Danish scientists print microscopic Mona Lisa

Danish scientist have made a high-resolution copy of Leonardo da Vinci's Mona Lisa 10,000 times smaller than the original using revolutionary laser printing technology.

Danish scientists print microscopic Mona Lisa
DTU Nanotech and DTU Fotonik printed a microscopic Mona Lisa just 50 micrometres long. Photo: DTU Fotnik
The tiny Mona Lisa would cover less than one pixel on a smartphone display.
 
Researchers at the Technical University of Denmark (DTU) constructed the printer, which requires a special nanoscale-structured surface consiting of rows with small columns with a diameter of merely 100 nanometres each. It is then covered by 20 nanometres of aluminium.
 
Laser beams are then transmitted from column to column, emitting heat of up to 1500C. The intensity of the laser beam determines which colours are printed on the surface, since the extent to which the nano columns are deformed decides which colour is reflected.
 
“Every time you make a slight change to the column geometry, you change the way it absorbs light. The light which is not absorbed is the colour that our eyes see. If the column absorbs all the blue light, for example, the red light will remain, making the surface appear red,” said Professor N. Asger Mortensen from DTU Fotonik.
 
The laser technology can print at a resolution of 127,000 dots per inch (DPI), while ordinary weekly or monthly magazines are printed in a resolution equivalent to 300 DPI.
 
Researchers say the technology will make it possible to print high resolution images. These cannot be detected without a microscope or other specialized equipment. 
 
“It will be possible to save data invisible to the naked eye. This includes serial numbers or bar codes of products and other information,” Anders Kristensen said in a press release.
 
“The technology can also be used to combat fraud and forgery, as the products will be labelled in way that makes them very difficult to reproduce.”
 
The new technology can also be used to produce interactive decorations on consumer objects such as mobile phones. The car industry has also taken a keen interest, as the technology could simplify the production of instrument panels and buttons.

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ART

‘Mona Lisa’ could be set to make rare tour of France

The "Mona Lisa", Da Vinci's masterpiece which has spent nearly all of the past 500 years in Paris, could soon be smiling at audiences across France as part of a rare tour, the country's culture minister said Thursday.

'Mona Lisa' could be set to make rare tour of France
Photo: Wikicommons
Francoise Nyssen told Europe 1 radio she was “seriously considering” the move as part of travelling exhibition of the country's most prestigious artworks.
   
“I am meeting with the president of the Louvre this morning and I'm going to discuss the matter again,” Nyssen said, adding that she didn't see why such works should be kept in the one place.
   
“My priority is to work against cultural segregation, and a large-scale plan for moving them around is a main way of doing that.”
   
The painting, whose mysterious smile has long captivated artists and admirers, draws millions of people to the Louvre each year.
 
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French convinced they have unearthed nude sketch of Mona Lisa Photo: Domaine de Chantilly Screenshot/AFP   

But it has rarely ventured outside the museum's walls, with officials citing concerns for the fragility and security of the painting, which was stolen from the Louvre in 1911, resurfacing only two years later in Florence.
   
Nyssen dismissed worries about preserving the painting, citing President Emmanuel Macron's offer to loan Britain the delicate near-1,000-year-old Bayeux Tapestry in 2022 while the museum housing the embroidery is renovated.
   
The mayor of the northern French city of Lens, home of an extension of the Louvre since 2012, has already declared his interest in housing the painting, which last left the Louvre for shows in Tokyo and Moscow in 1974.
   
Before that, it spent a few months in Washington and New York in 1963, and was extracted for safekeeping during World Wars I and II.
   
In 2013, the museum refused a request from the city of Florence, where Da Vinci is believed to have started the work, to lend it for an exhibit.
   
The request may have stirred up bad memories among French officials, given that it was stolen by an Italian.