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Picasso: US returns stolen artwork to France

The United States on Thursday returned to French authorities an oil painting by Pablo Picasso thought to be worth €15 million, that was reported stolen from a major Paris museum 14 years ago.

Picasso: US returns stolen artwork to France
"The Hairdresser" - finally back in French hands after being stolen 14 years ago. Photo: AFP

“The Hairdresser,” which Picasso created in Paris in 1911 during his Cubism period, was seized by US customs agents in New Jersey.

Valued at $15 million, it was authenticated in January by experts from the Centre Georges Pompidou museum, its previous home.

“Picasso used to say: 'A painting truly exists in the eyes of the beholder',” said Frederic Dore, deputy chief of mission at the French embassy in Washington, where the painting was formally handed over.

Once back in the French capital, the diplomat said, it will “come back to life” and return to public view after careful restoration “thanks to this outstanding Franco-American customs cooperation.”

The painting had been listed on Interpol's database of stolen works of art since it was reported stolen from the Centre Pompidou's archives in 2001.

It had last been publicly displayed in Munich, Germany in 1998 — and no one is clear on where it has been since US customs agents came across it during a targeted inspection in Newark, New Jersey, just outside New York, in December 2014.

Wrapped as a Christmas parcel sent from Belgium, it bore a shipping label that claimed it was a mere $30 handicraft, the US Immigration and Customs Enforcement (ICE) agency said.

No arrests have been made.

“It's truly priceless (and) so meaningful — not just to your country, but to the world,” said ICE director Sarah Saldana at the handover ceremony.

“We are committed to extracting stolen cultural property from the grasp of the black market and restoring it to its rightful owners,” added Kelly Currie, the US federal prosecutor for the eastern district of New York, in a statement.

“The Hairdresser” entered the Centre Pompidou's collection in 1967, donated by French art collector Georges Salles, who specialized in Cubist works.

It had previously belonged to French art dealer Ambroise Vollard, who played a major role in promoting Picasso and other early 20th century artists.

Dore said it was the fourth piece of art that the US authorities have returned to France since 2011.

Another Picasso worth over €25 million ($27.9 million), seized from a yacht off the French island of Corsica, was transferred Tuesday to a Madrid museum.

That 1906 painting entitled “Head of a Young Woman,” which was subject to a Spanish export ban, had been seized by French customs at the end of July, halting what they said was .

Picasso died in France in 1973 at the age of 91, leaving behind a vast and influential body of work including paintings, sculptures and ceramics.

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ART

African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old told AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

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