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The Sound of Music – 50 years on

It’s the film which brings thousands of tourists every year to Salzburg but it’s virtually unknown in Austria. Fifty years ago, The Sound of Music - the movie based on a successful Rogers and Hammerstein Broadway musical - premiered in New York.

The Sound of Music - 50 years on
Photo: 20th Century Fox

Julie Andrews starred as Maria von Trapp, a real life ex-nun who married an Austrian naval officer after she became governess to his children.

The Sound of Music’s feel-good family values, catchy tunes and beautiful alpine scenery turned it into the biggest grossing musical of all time.

To celebrate the anniversary, Vienna’s 1960’s-era Gartenbau cinema is showing the film (in a new, high-quality restored print) as a special Sunday matinee, on March 1st and 8th at midday.

Gartenbau manager Norman Shetler said that ticket sales have been surprisingly good.

“It’s only really known here through word of mouth, most Austrians still haven’t seen it and don’t really know what all the fuss is about,” he told The Local.

The real fans are American, British, Japanese and Middle Eastern – so Shetler expects a largely expat crowd.

“But if people show up in Dirndls and Lederhosen that would be cool,” he said. “We’d love it to be a collective experience – the cinema has 736 seats – and it could get really campy. We’ve tried to do sing-alongs before with the Rocky Horror Show but there isn’t really a repertory culture here, Austrians just don’t sing along!”

He did reveal that someone with the name Trapp has booked tickets for the screening, so wonders if a descendent of the Von Trapp family will be there.

The film only ran for a very short period in Austria and was subsequently dropped – perhaps because the instances of Nazi complicity depicted in the movie were unpopular at a time when Austria was attempting to forge a new, democratic future for itself.

But it put Salzburg, where much of the film was shot, firmly on the tourist map.

Panorama Tours offer two four-hour Sound of Music tours a day, every day, all year – which are particularly popular with Americans.

The Salzburg Festival takes place in the same theatre where the von Trapp family win first prize at the end of the film, while St. Peter's Cemetery nearby was used as a model for the scene immediately afterward, where the family hides from the Nazis.

The original von Trapp villa in the suburb of Aigen, where the family lived before they fled to America in 1938, is now a hotel.

Afterward, it became the main residence of SS head Heinrich Himmler, who built the high wall that surrounds it today.

The musical draws crowds in Salzburg, as does a puppet version of story. Photo: APA/Gindl

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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