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Dylan guitarist to take Ice Music stage in Sweden

Bob Dylan guitarist Charlie Sexton and other Texas musicians are in a race against the clock to get acquainted with "magical" ice instruments just days before performing on the Ice Music stage in Luleå in northern Sweden.

Dylan guitarist to take Ice Music stage in Sweden
Charlie Sexton (l) and Phoebe Hunt (r) look on as Ice Music co-founder Tim Linhart examines an ice violin. Photo: Luleåfotograferna

Sexton, who has played guitar with Dylan on and off for 15 years, stepped off a plane in chilly Luleå on Monday, along with fellow US artists and songwriters Lindsey Verril, Phoebe Hunt, and Michael Blair, who has worked with artists such as Tom Waits and Elvis Costello.

“The unique ice instruments can be compared to having an uninvited guest to a party,” said Blair.

“They liven things up and keep people on their toes. For this project it’s the ice instruments themselves that we need to meet and get to know their special qualities better.”

Troy Campbell, Lindsey Verril, Charlie Sexton & Phoebe Hunt arrive in Luleå. Photo: Luleåfotograferna

The US musicians were joined by Anders Bo Eriksen of Denmark, along with local Luleå talents Olle Nyman and Rebecka Digervall as part of an ongoing collaboration between Luleå municipality and the city of Austin, Texas, known as the “live music capital of the world”.

Bringing the eclectic and talented group of musicians together to make music in the winter wonderland of Luleå is the first concrete expression of the Luleå-Austin partnership.

Appropriately called City of Songs, the project participants include Luleå’s Ice Music and music incubator BD Pop, along with Austin-based House of Songs, a songwriting collaborative he founded by Austin-native Troy Campbell.

READ MORE: Ice Music taps Texas troubadour for new tunes

The US musicians barely had time to get a handle on the frozen landscape around Luleå before they hunkered down to get acquainted, not only with each other, but most importantly with the one-of-a-kind ice instruments they’ll be playing.

“For us creating the music, the deal is to listen to the special sound of the ice instruments and adjust our music to that. And not the other way round,” Sexton explained.

Despite a storied musical career stretching back to the 1980s that has taken him around the world, Sexton was still taken aback by the majesty of Ice Music concert hall in Luleå’s Gültzauudden Park.

IN PICTURES: Ice Music instruments and last year’s igloo

“I’d only seen a few video clips of an Ice Music concert before entering the ice concert hall for the first time. And I only have one word for it. Magical,” he said.

Singer/songwriter Hunt, an Austin native, marveled at a plastic shield on the ice violin that would protect her breath from melting a hole in the instrument as she played.

“But I’m not going to worry about breaking it if I play as aggressively as I usually do,” she said.

The instrument that turned most heads, however, was an entirely new creation by Ice Music founder Tim Linhart he dubbed the Gravatone: a stringed instrument made largely of ice but which also boasts two tonnes of steel for added weight.

Anders Bo Eriksen inspects the Gravatone. Photo: Luleåfotograferna

“It’s the strangest instrument I’ve ever seen,” said Eriksen.

And if learning to tune and play ice instruments in temperatures of -5C weren’t enough, this newly-minted musical collective has also taken on the task of writing completely new music specifically tailored for instruments and a stage made of ice.

The new compositions will only be played at the weekend’s two sold-out Ice Music concerts on Friday, February 27th and Saturday, February 28th. But music fans who can’t make it what’s sure to be a once-in-a-lifetime show need not despair: the entire project, including practice sessions and the performance, is being recorded for a documentary-style film that will be released later this year.

This article was produced by The Local and sponsored by Luleå municipality and Ice Music.

CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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