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GURLITT

Nazi-era art trove heir Cornelius Gurlitt dies

UPDATE: The reclusive German son of a Nazi-era art dealer who hoarded hundreds of priceless paintings in his Munich flat for decades including works plundered from Jews died on Tuesday aged 81.

Nazi-era art trove heir Cornelius Gurlitt dies
Photo: DPA

Cornelius Gurlitt died "in his apartment in Schwabing, in the presence of a doctor," his spokesman Stephan Holzinger said in a statement, referring to an upscale district of Munich.

Holzinger said Gurlitt had recently undergone serious heart surgery and after spending a week in hospital, asked to return to his home where he had lived among long-lost masterpieces by Picasso, Matisse and Chagall until the collection came to the attention of the authorities two years ago.
   
Gurlitt had last month struck an accord with the German government to help track down the rightful owners of pieces in his trove of 1,280 artworks, including Jews whose property was stolen or extorted under the Third Reich.
   
The works, whose value has been estimated at hundreds of millions of dollars, were seized in February 2012 when they were discovered by chance in the course of a small-scale tax evasion investigation.
   
More than 200 paintings, sketches and sculptures discovered in a separate home of Gurlitt's in Salzburg, Austria including works by Monet, Manet, Cezanne and Gauguin are not covered by the German agreement and it was not immediately clear who would now claim them.
   
Gurlitt's father Hildebrand acquired most of the paintings in the 1930s and 1940s, when he worked as an art dealer tasked by the Nazis with selling works taken from Jewish families and avant-garde art seized from German museums that the Hitler regime deemed "degenerate".

An eccentric villain
 

The case only came to public attention when Focus news weekly published an article last year, sparking fierce international criticism that German authorities kept the case under wraps for so long.
   
Under the April accord, a government-appointed international task force of art experts will have one year to investigate the provenance of all the works in Gurlitt's Munich collection.
   
Artworks subject to ownership claims after that deadline will be held by a trust until the cases are resolved.
   
Holzinger said it was unclear whether Gurlitt had left a valid will but a spokeswoman for the Bavarian justice ministry told AFP the April agreement would also apply to any heirs.
   
"The research on the paintings will go forward without question," the state's justice minister, Winfried Bausback, added in a statement.
   
A lawyer representing descendants of prominent Paris art collector Paul Rosenberg who have staked a claim to a Matisse portrait in Gurlitt's collection told AFP there were now a number of unresolved issues.
   
"We obviously will now have to wait for the estate process in Germany to unfold," the attorney, Christopher Marinello, said.
   
Gurlitt's public image evolved dramatically in the months since his case came to light.
   
He was initially cast in the German media as an eccentric villain, and told Der Spiegel magazine in a notorious interview last November that he would never give up his collection without a fight. "I will not give anything back voluntarily," he said. "No, no, no."
 

Gurlitt never married or had children, declaring his art collection to be "the love of his life".
   
But with the help of a revolving cast of lawyers and advisors, Gurlitt eventually softened his stance and began cooperating with the German government to reach an agreement that was also welcomed by Jewish groups.
   
German Culture Minister Monika Grütters praised Gurlitt's eventual decision to own up to the historical burden of his spectacular hoard.
   
"It will remain a credit to Cornelius Gurlitt that he, as a private individual, set an example in the search for fair and just solutions with his commitment to moral responsibility," she said. "He rightly received recognition and respect for this step."
   
Gurlitt may have another important legacy on the German lawbooks. In the wake of his case, deputies initiated a measure to ditch a 30-year statute of limitations that has provided cover for people in possession of contested artworks.
   
Gurlitt's father had played a key role in the Nazis' systematic looting of major art collections to raise hard currency and to handpick works for a "Führer Museum" for Adolf Hitler in the Austrian city of Linz that was never built.
 

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ART

Germany returns final Nazi-looted artwork from pensioner’s trove

Germany said on Wednesday it had returned to its rightful owners the last artwork confirmed as looted by the Nazis uncovered in the collection of a reclusive Munich pensioner.

Germany returns final Nazi-looted artwork from pensioner's trove
One of the works found in Gurlitt's apartment, Waterloo Bridge by Monet, being displayed in Berlin in 2018. Photo: DPA

Culture Minister Monika Grütters said a total of 14 pieces had been handed back since a giant trove held by Cornelius Gurlitt, the son of a Nazi-era art dealer, came to light eight years ago.

The final work to be restituted was “Klavierspiel” (Playing the Piano), a drawing by German artist Carl Spitzweg. It was given on Tuesday to Christie's auction house according to the wishes of the heirs of music publisher Henri Hinrichsen, who was murdered at Auschwitz in 1942.

The transfer was arranged with the Museum of Fine Arts in Bern, which inherited Gurlitt's collection when he died in 2014.

READ ALSO: Germany returns famous artwork looted by Nazis

Grütters said it sent “an important message” that with the Spitzweg drawing “all art identified as looted from the Gurlitt art trove has been returned to the heirs of the victims”.

“Behind every one of these pictures is a tragic human fate,” Grütters said.

“We cannot make up for that great suffering. But by reckoning with the art looted by the Nazis, we are trying to contribute to historical justice and face up to our moral responsibility.”

'Enduring duty'

Grütters pledged to “decisively” continue provenance research on work in German collections, saying it was an “enduring duty”.

Adolf Hitler's regime stole the drawing from Hinrichsen in 1939 and the following year Hildebrand Gurlitt bought it.

The Nazis had engaged Hildebrand — who was part-Jewish — from 1938 to deal in items taken from Jewish owners or confiscated as “degenerate”.

A German government task force identified the drawing as looted in 2015 but legal complications meant its restitution could not be settled until now, Grütters said.

More than 1,500 works including pieces by Picasso, Renoir, Cezanne and Matisse in the possession of Cornelius Gurlitt were seized in 2012 during a tax probe.

The discovery of the stash, kept secret until the following year, made headlines around the world and revived an emotional debate about how thoroughly post-war Germany had reckoned with art plundered by the Nazi regime.

When Gurlitt died, the Bern museum accepted the collection, though it left about 500 works in Germany for a government task force to research their often murky origins.

Their work, and restitution, have been criticised by many heirs and activists as too slow. They say the Gurlitt case underlines the ongoing need for thorough provenance research in museum holdings and private collections.

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