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MUSIC

Artists make noise to protest funding cuts

Drummers, singers, dancers, actors and other artists swarmed the streets of Madrid on Sunday to stage outdoor performances to protest against declining state support in Spain for the arts.

Artists make noise to protest funding cuts
Drummers play in Madrid during a staging of outdoor performances to protest against the decline in state support for the arts in Spain. Photo: Javier Soriano/AFP

The performers took to 25 stages set up across the historic centre of the Spanish capital to launch a "cry of alarm" over the situation of the arts, organizers said.

"We wanted to show that the world of culture has much more to offer than a simple march through the streets," Fernando Martin, the spokesman for the Collective for the Defence of Culture, told AFP.

It was the first event staged by the group, which represents over 100 cultural associations and was set up in October 2013 to "face up to the unsustainable situation" of Spain's cultural sector, which has suffered "spending cuts without pity," he added.

The highlight of the event was a rendition of the "Chorus of the Hebrew Slaves" from Giuseppe Verdi's Nabucco by a choir of up to 1,800 singers.

Spain's cultural institutions have been hit hard by the deep spending cuts imposed by Prime Minister Mariano Rajoy's conservative government to rein in the public deficit.

Movie and theatre tickets sales have also been affected by a large hike in the value-added tax on tickets, to 21 percent from eight percent.

"Making a movie in our country is an authentic act of heroism," the president of the Spanish film academy, Enrique Gonzalez Macho, said last month.

Spanish movie theatre revenues dropped 16 percent in 2013 compared to the previous year due to the sales tax hike and Spain's economic downturn, according to the Spanish film academy.

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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