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MUSIC

Scientists discover why some of us ‘hate’ music

If music leaves you cold, don't worry: it's perfectly normal and you're completely healthy. That's the finding of a new study headed up by Spanish scientists.

Scientists discover why some of us 'hate' music
As many as 5 percent of people could suffer from specific musical anhedonia, or an inability to enjoy music. File photo: Bart Everson

Rock, jazz, flamenco, or classical music: for some people it all sounds like so much noise.

While most people react to music emotionally, and with an increased heart rate and by sweating more, a small group don't feel a thing.

And while a lack of ability to enjoy everyday activities is generally considered a sign of depression, there is nothing wrong with these people. Instead they are suffering from researchers are calling specific musical anhedonia.

That's the finding of a new study carried out by a global team of researchers headed up by the University of Barcelona and Catalonia's Bellvitge Institute of Biological Investigation and published in Current Biology.

"We wanted to look at music because its something that exists across cultures and doesn't have a biological function," study author Josep Marco told The Local.   

"Music is also something instinctual, and very direct, and it's often assumed that everyone actually likes music. But we wanted to find out if that was actually true." 

To test this idea, researchers first used a web questionnaire to identify people who might have this lack of feeling for music.

Study participants were then asked to listen to music chosen by other university students. Among the pieces of music chosen were Puccini's Nessun Dorma, the Four Seasons of Vivaldi, and the theme song from the 1992 Barcelona Olympics.

Pavarotti sings the aria Nessun Dorma from the Puccini opera Turandot

While listening, volunteers had to press a button depending on whether they didn't like the piece of music much, they liked it a lot, or it left them cold. 

"We found that some people didn't respond at all to the music," Marco said.

Researchers then looked at whether people who didn't respond to music emotionally had a problem with their neural reward system.

But an experiment which measured excitement about earning money showed these 'non-musical' people had an increased heart rate and sweated more. In other words they were healthy.

The findings suggest music has its own pathways in the rewards system, the scientists said.

"The identification of these individuals could be very important to understanding the neural basis of music — that is, to understand how a set of notes (is) translated into emotions," Marco said in a separate statement.

Some 1 to 5 percent of people suffer from specific musical anhedonia, the researchers estimate.

"We've had a lot of emails from people since the study was published saying 'I've never liked music, and people have always told me it was strange,'" Marco told The Local.

"But this is not an illness, and it's not something that needs to be 'fixed.'"

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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