SHARE
COPY LINK

FASHION

Italian fashion legend Missoni dies at 92

Italian knitwear innovator Ottavio "Tai" Missoni, whose distinctive colourful zigzag designs became a global fashion empire, died on Thursday in his home and company headquarters at the age of 92.

Italian fashion legend Missoni dies at 92
File photo of Ottavio Missoni with his daughter Angela. Photo: Giuseppe Cacace/AFP

Missoni co-founded the fashion brand in 1953 with his wife Rosita Jelmini and their designs have graced the rich and famous from Jackie Kennedy to the Duchess of Cambridge Kate Middleton.

He had been hospitalized with heart trouble last week and died peacefully surrounded by his family in his villa in Sumirago in northwest Italy, where he and the company have been based for decades.

"The rainbow that sprang from his creations gave us the impression of a happy man who managed to bring his fashion to a global audience," said Milan mayor Giuliano Pisapia.

"The jumpers and dresses he created have given him eternity," he said, adding that Missoni had "rendered great the Made in Italy brand".

The family said there will be a lying-in state on Sunday in the courtyard of his textile factory in Sumirago and the funeral will be on Monday.

The Italian fashion chamber expressed its condolences and said that luxury boutiques on Milan's famed Via Montenapoleone would open later than usual on Monday as a sign of respect.

'An innovative and creative genius'

"Missoni was one of the founders of Italian fashion and of high-end pret-a-porter, guiding his company to innumerable successes together with his wife Rosita," the fashion chamber, which organises Milan Fashion Week, said in a statement.

It said Missoni had been "an innovative and creative genius".

Missoni was born in the then kingdom of Yugoslavia in what is now Dubrovnik on February 11th, 1921 and after moving to Italy he initially began a career in track athletics – a sport he pursued into old age.

He became a national champion before the Second World War and took part in the 1948 London Olympics.

During the war, he fought in the Battle of El-Alamein and was held as a prisoner of war.

At the Olympics he met his future wife, whose family owned a textile business in northern Italy.

CLICK HERE TO VIEW A GALLERY OF THE FASHION LEGEND AND SOME FAMOUS MISSONI DESIGNS.

The Missoni brand quickly earned a reputation for testing new boundaries in the 1960s and was kicked out of the Pitti fashion shows in Florence when its models did not wear bras on the catwalk.

Missoni was a self-effacing, jovial man who told one interviewer that the geometric patterns on his dresses "were like that simply because we had machinery that could only make straight lines."

He also ascribed the patterns to the squares in the exercise books he used to design them.

But the company kept up a reputation for innovation in recent years and was the first to delve into the mass market through a successful partnership with US mega-store chain Target.

It also followed other major Italian fashion chains in setting up branded hotels in different cities including Edinburgh and Kuwait.

The company, which exports around 80 percent of its production, had a turnover of 150 million euros ($197 million) in 2011.

Missoni continued to work at the company until his death, although he had handed managerial responsibility to his two sons and daughter.

He suffered tragedy earlier this year when a plane carrying his eldest son, Vittorio, and five other people went missing on a flight from the Venezuelan island resort of Los Roques.

The 58-year-old is now feared dead and those who knew him best were quoted by Italian media saying his father had not been himself since, and had refused to talk about it with the family.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

FASHION

Paris exhibition celebrates 100 years of French Vogue

A new exhibition in Paris will tell the story of 100 years of French Vogue - from the post-war 'New Look' of Christian Dior through the sexual liberation of the 1960s to the dangling-cigarette waifs of the 2000s.

French Vogue celebrates 100 years
French Vogue celebrates 100 years. Photo: Thomas Olva/AFP

But as well as celebrating the magazine’s storied history, the exhibit comes at a time of turbulence for the publication.

Just last month, it was confirmed that its editor of 10 years, Emmanuelle Alt, was out and wouldn’t be replaced.

She was not alone.

Looking to cut costs, owner Conde Nast International has axed editors across Europe over the past year, and put international Vogue editions under the direct control of global editorial director, Anna Wintour, in New York.

New York-based Anna Wintour now has overall control of French Vogue. Photo by Christophe ARCHAMBAULT / AFP

Like much of the media industry, Vogue is struggling with tumbling sales and ad revenue in the digital era.

But the latest twist is also part of the endless push and pull between New York and Paris going back to its early days.

“The whole history of French Vogue is one of back-and-forth with Conde Nast in New York – growing more independent for a while, then being reined back in,” said Sylvie Lecallier, curator of the new exhibition, “Vogue Paris 1920-2020″, which opened this weekend after a year’s delay due to the pandemic.

The Paris edition was often the loftier, more bohemian sibling to its more hard-nosed New York version.

But it was also the hotbed in which much of 20th century style and womenhood came to be defined.

“Paris was the place to hunt out talent and content and bring it to New York,” said Lecallier.

The exhibition charts the evolution from art deco drawings of the 1920s through the erotic image-making of photographers like Helmut Newton in the 1960s and 1970s.

Its last peak was under editor Carine Roitfeld in the 2000s, who brought back a provocative Gallic identity by ridding the newsroom of foreign staff and becoming a fashion icon in her own right.

Her successor, Alt, was a quieter presence, though she still oversaw key moments including its first transgender cover star, Brazilian Valentina Sampaio, in 2017.

But internet culture has created “a perfect storm” for Vogue, says media expert Douglas McCabe of Enders Analysis.

“The first 80 years of Vogue’s life, it had the market to itself, it was the bible for fashion,” McCabe told AFP.

“But online today, there are so many other ways to get your information. Influencers, Instagram, YouTube — everyone’s a threat.”

In a world where new fashion trends can blow up around the world in seconds, it has become much harder for a monthly magazine to set the pace.

“It’s not that they can’t survive for another 100 years — but they will be differently sized,” McCabe said.

Vogue has tried to branch out into different areas, including events.

“I used to work for a magazine, and today I work for a brand,” Alt said on the eve of French Vogue’s 1,000th issue in 2019.

But the big money was always in print, and Vogue Paris sales are dropping steadily from 98,345 in 2017 to 81,962 to 2020, according to data site ACPM.

It is perhaps unsurprising that the new top job in Paris, redefined as “head of editorial content”, went to Eugenie Trochu, who was key to building the magazine’s online presence.

She declared herself “thrilled to be part of Vogue’s international transformation”.

For the curator of the exhibition, it is ironic timing.

“We had no idea it would end like this when we started work on the exhibition,” said Lecallier.

“Who knows where it will go from here.”

The exhibition Vogue Paris 1920-2020 is at the Palais Galliera in Paris’ 16th arrondissement. The gallery is open 10am to 6pm Tuesday to Sunday and is closed on Mondays. Tickets for the exhibition are €14 (€12 for concessions and under 18s go free) and must be reserved online in advance. 

SHOW COMMENTS