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ARCHITECTURE

‘Sweden saved my career from Spain’s meltdown’

For the longest time, architect Jon-Ander Azpiazu Juaristi held Spain's economic fizzle at arm's length, until rising unemployment caught up with him too. He tells The Local how moving to Sweden saved his career.

'Sweden saved my career from Spain's meltdown'

Jon-Ander Azpiazu Juaristi, 28, is no stranger to moving for studies or work. In his native Spain, he left Bilbao, in the north, for Barcelona, then Madrid, with a stint in Italy along the way. As the Spanish economy spiralled downwards, the young architect avoided rising unemployment as best he could, but last August he too felt its effects when his temporary contract was not extended.

Azpiazu Juaristi and his girlfriend realized that it was time to leave.

“We thought: we’re young and we have nothing to lose,” he remembers with a smile. “I had already been to Sweden for a holiday ten years ago and I knew from an architect friend who moved to Finland last year that there was a need for architects.”

He also credits positive testimonies about the living standards in Sweden as a key motivating factor.

In late October 2012, Azpiazu Juaristi, his girlfriend, and two of their friends arrived in Stockholm. With no job, no place to live, and no connections they had to start again from scratch. For the first few days, they stayed in a hotel room but with money scarce and the clock ticking, arranging a place to live was their top priority.

“As unbelievable as it sounds, the first apartment we visited was the one,” he explains.

Azpiazu Juaristi then spent the first two and a half months searching for a job and learning Swedish through the Red Cross’ free courses for beginners. He also sent out job applications daily, 200 in all, and found himself called to six interviews.

“Initially, not speaking Swedish was the main obstacle,” he recalls.

The turning point was meeting a fellow countryman, an architecture teacher at the Royal Institute of Technology (KTH) in Stockholm, who directed him to an architecture agency based on Södermalm on the south side of the Swedish capital. Four days after the interview, he found himself employed.

“I was at the right place, at the right time,” he explains about working as a consultant for a famous Spanish clothing brand, which entails scouting for buildings and locations to set up outlets.

“I have a six-month probationary period, but it’s for a permanent job, so I keep thinking that I did the right thing by moving to Stockholm.”

“Not only do I work with Swedish people, but also with foreigners, which is really rewarding. By the way, I was very well received by all my colleagues,” Azpiazu Juaristi beams. And as he was no novice to the job, Azpiazu Juaristi was given responsibilities right away.

SEE ALSO: Click here for the latest listings for jobs in Sweden

“In less than three months, I have already been to Malmö and Oslo for work, with a trip to Chicago planned as well,” he says.

In comparing his experiences at a Swedish company with that of working in Spain, Azpiazu Juaristi was struck by the flatness of the organization.

“Here, you don’t feel any difference between your boss and yourself. Even if there’s a hierarchy, of course, my boss behaves just like any other team member. I wasn’t used to that in Spain,” he says.

Yet there are cultural differences that aren’t quite as positive.

“If you want to grab a beer with a Swedish friend, he will check his calendar and schedule a time two weeks later. Back home, you make plans with your friends with just a couple of hours’ notice,” he says merrily, although the Swedish winter he faced upon moving here was no laughing matter.

SEE ALSO: More interviews from our My Swedish Career series

“Dealing with the darkness was hard. We came at the end of autumn and the days had already started to shorten,” he recalls.

Despite the bleak winter, Azpiazu Juaristi has no regrets at all about his move to Sweden.

“You have to try, not regret anything. Home will always be home and you can always go back.”

Ariane Goutéraux-Picard

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ARCHITECTURE

Futuristic Gehry tower opens in World Heritage Arles

Rising high beyond an ancient Roman arena in Arles, a tall, twisted tower created by Frank Gehry shimmers in the sun, the latest futuristic addition to this southern French city known for its World Heritage sites.

Futuristic Gehry tower opens in World Heritage Arles
Gehry's Luma Tower opens in Arles, France. Photo: H I / Pixabay

The tower, which opens to the public on Saturday, is the flagship attraction of a new “creative campus” conceived by the Swiss Luma arts foundation that wants to offer artists a space to create, collaborate and showcase their work.

Gehry, the 92-year-old brain behind Bilbao’s Guggenheim museum and Los Angeles’ Walt Disney Concert Hall, wrapped 11,000 stainless steel panels around his tower above a huge glass round base.

It will house contemporary art exhibitions, a library, and offices, while the Luma Arles campus as a whole will host conferences and live performances.

From a distance, the structure reflects the changing lights of this town that inspired Van Gogh, capturing the whiteness of the limestone Alpilles mountain range nearby which glows a fierce orange when the sun sets.

Mustapha Bouhayati, the head of Luma Arles, says the town is no stranger to
imposing monuments; its ancient Roman arena and theatre have long drawn the
crowds.

The tower is just the latest addition, he says. “We’re building the heritage of tomorrow.”

Luma Arles spreads out over a huge former industrial wasteland.

Maja Hoffmann, a Swiss patron of the arts who created the foundation, says
the site took seven years to build and many more years to conceive.

Maja Hoffmann, founder and president of the Luma Foundation. Photo: Pascal GUYOT / AFP

Aside from the tower, Luma Arles also has exhibition and performance spaces in former industrial buildings, a phosphorescent skatepark created by South Korean artist Koo Jeong A and a sprawling public park conceived by Belgian landscape architect Bas Smets.

‘Arles chose me’

The wealthy great-granddaughter of a founder of Swiss drug giant Roche, Hoffmann has for years been involved in the world of contemporary art, like her grandmother before her.

A documentary producer and arts collector, she owns photos by Annie Leibovitz and Diane Arbus and says she hung out with Jean-Michel Basquiat in New York.

Her foundation’s stated aim is to promote artists and their work, with a special interest in environmental issues, human rights, education and culture.

She refuses to answer a question on how much the project in Arles cost. But as to why she chose the 53,000-strong town, Hoffmann responds: “I did not choose Arles, Arles chose me.”

She moved there as a baby when her father Luc Hoffmann, who co-founded WWF,
created a reserve to preserve the biodiversity of the Camargue, a region between the Mediterranean Sea and the Rhone river delta known for its pink flamingos.

The tower reflects that, with Camargue salt used as mural panels and the
delta’s algae as textile dye.

Hoffmann says she wants her project to attract more visitors in the winter, in a town where nearly a quarter of the population lives under the poverty line.

Some 190 people will be working at the Luma project over the summer, Bouhayati says, adding that Hoffman has created an “ecosystem for creation”.

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