SHARE
COPY LINK

ART

France’s famed Louvre art gallery gets new boss

Fresh from being interviewed by French President Francois Hollande himself, Jean-Luc Martinez, an expert in Greek sculpture, was named on Wednesday as the new boss of the famed Louvre museum.

France's famed Louvre art gallery gets new boss
Photo: Zoetnet/flickr

Fresh from being interviewed by French President Francois Hollande himself, Jean-Luc Martinez, an expert in Greek sculpture, was named Wednesday as the new boss of the famed Louvre museum.

The 49-year-old takes charge of one of the world's biggest museums and will oversee a number of projects including the controversial opening of a Louvre outpost in Abu Dhabi, the capital of the United Arab Emirates, slated for 2016.

The deal has stirred debate in the French art world with critics raising questions about Abu Dhabi's record on the treatment of dissidents and the immigrant workers employed on the construction of the new museum.

"The Louvre, it's my life, my childhood dream, my teenage passion," Martinez told AFP after his nomination at the head of the museum, which attracts some 10 million visitors a year.

France's culture minister had reportedly leant towards appointing Sylvia Ramond, head of the Museum of Fine Arts of Lyon in southeastern France, who would have become the Louvre's first female director.

But in the end – and after three finalists were interviewed in person by Hollande – Martinez, director of the Louvre's department of Greek, Etruscan and Roman antiques since 2007, was finally chosen to head up the museum.

Born in 1964, Martinez comes from a modest background. His mother was a caretaker in a French apartment building, his father a postman, and they lived in a council estate just outside Paris.

He first visited the Louvre with his secondary school class and was blown away. It was "a real shock. It changed my life," he said. As a teen, he would often go to the museum, copying drawings of Greek vases.

He went on to pass his high school exams with flying colours, studied history, history of art and archaeology at university, worked as a history and geography professor and an archaeologist in Greece before joining the Louvre in 1997.

Martinez speaks Latin, ancient and modern Greek, English and Spanish, as well as a little Italian and German. He has also started learning Japanese.

He succeeds Henri Loyrette, who has been credited with doubling visitor numbers from five million per year when he took over in 2001 to around 10 million this year — half of them under-30s.

Loyrette also oversaw the opening in 2012 of the Department of Islamic Art and of a Louvre satellite branch in the former northern mining town of Lens, aimed at bringing high culture and visitors to one of France's poorest areas.

Culture minister Aurelie Filippetti recently told AFP that she wanted "a change from a logic of expansion of the Louvre", which could indicate an end to the opening of museum outposts such as the one planned in Abu Dhabi.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

ART

African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old toldĀ AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

SHOW COMMENTS