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MY GERMAN CAREER

ARCHITECTURE

‘An unpaid internship was like an investment’

In the latest instalment of My German Career, The Local spoke with Costa Rican architect Roberto Ovalle about mastering the language, and how German bureaucracy can be both a blessing and a hindrance in the building world.

'An unpaid internship was like an investment'
Photo: DPA

Ovalle studied in Norway before making the move over to Bielefeld, a city tucked up in the north-eastern corner of North Rhine-Westphalia. After a prolonged search, he managed to secure a job working in an architecture firm and a German wife but is still weighing up whether to move back to Costa Rica.

Where are you located and what do you do?

I’m originally from Costa Rica but these days I live in Sennestadt, a suburb outside of Bielefeld in North Rhine-Westphalia. I studied architecture in Norway and I am lucky to be working as a design architect in a local firm here in Sennestadt.

What brought you to Germany and how long have you been here?

I came here because I got married to a German. I have been here two and a half years now but before things got serious with my now-wife, I never even imagined learning German, let alone moving to Bielefeld!

How did you land your job and do you have tips for anyone seeking similar work?

I looked and looked and looked! As simple as it sounds, I googled architecture offices around my region and started writing emails to all the ones I found interesting. The majority didn’t reply, but eventually I found an internship in Münster (I had to commute three hours every day but it was worth it), and after a couple of months I found the position I am in now. Architecture is very different from fields like IT or engineering, my first recommendation is – surprise surprise – to learn the language. Very few architecture offices in this country work in English (or Spanish, my native language), so you must learn the language and try as hard as you can with the technical vocabulary. Another tip is to start small, in my case with an unpaid internship. I saw it as an investment: I’d live on a very tight budget for a while but I sharpened my language and professional skills.

Is it important for you to be able to speak German in your position?

Not only is it important, it’s the only way to work. Being an architect, you have to speak with everyone from clients and authorities to engineers and craftsmen, and be able to understand their needs and requirements. Also, speaking the language, even with a very strong accent and evident mistakes, shows people that you take what you do seriously.

What are the key differences practising your profession here versus in your home country?

The amount of regulations, codes and guidelines involved in designing almost anything in Germany can be overwhelming. There are guidelines for things I didn’t even know existed. While this keeps the standards of work very high, sometimes these regulations can become goals in themselves instead of serving a purpose. And of course, in my country one of the main problems to solve is how to keep the warmth out, while here it’s how to keep it in!

What are the best and worst parts about working in Germany?

The best thing about working in Germany is that the quality of technical work is regarded with high esteem everywhere in the world – which is great for your CV. I can’t think of much particularly negative about being an architect specifically here, as in my experience architects in Germany face the same challenges that architects all over the world have to deal with.

Do you plan on staying?

It’s hard to tell. To have a job in my field in Europe in the middle of the current economic crisis is a great feeling but I do dream of doing something for my country.

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ARCHITECTURE

Futuristic Gehry tower opens in World Heritage Arles

Rising high beyond an ancient Roman arena in Arles, a tall, twisted tower created by Frank Gehry shimmers in the sun, the latest futuristic addition to this southern French city known for its World Heritage sites.

Futuristic Gehry tower opens in World Heritage Arles
Gehry's Luma Tower opens in Arles, France. Photo: H I / Pixabay

The tower, which opens to the public on Saturday, is the flagship attraction of a new “creative campus” conceived by the Swiss Luma arts foundation that wants to offer artists a space to create, collaborate and showcase their work.

Gehry, the 92-year-old brain behind Bilbao’s Guggenheim museum and Los Angeles’ Walt Disney Concert Hall, wrapped 11,000 stainless steel panels around his tower above a huge glass round base.

It will house contemporary art exhibitions, a library, and offices, while the Luma Arles campus as a whole will host conferences and live performances.

From a distance, the structure reflects the changing lights of this town that inspired Van Gogh, capturing the whiteness of the limestone Alpilles mountain range nearby which glows a fierce orange when the sun sets.

Mustapha Bouhayati, the head of Luma Arles, says the town is no stranger to
imposing monuments; its ancient Roman arena and theatre have long drawn the
crowds.

The tower is just the latest addition, he says. “We’re building the heritage of tomorrow.”

Luma Arles spreads out over a huge former industrial wasteland.

Maja Hoffmann, a Swiss patron of the arts who created the foundation, says
the site took seven years to build and many more years to conceive.

Maja Hoffmann, founder and president of the Luma Foundation. Photo: Pascal GUYOT / AFP

Aside from the tower, Luma Arles also has exhibition and performance spaces in former industrial buildings, a phosphorescent skatepark created by South Korean artist Koo Jeong A and a sprawling public park conceived by Belgian landscape architect Bas Smets.

‘Arles chose me’

The wealthy great-granddaughter of a founder of Swiss drug giant Roche, Hoffmann has for years been involved in the world of contemporary art, like her grandmother before her.

A documentary producer and arts collector, she owns photos by Annie Leibovitz and Diane Arbus and says she hung out with Jean-Michel Basquiat in New York.

Her foundation’s stated aim is to promote artists and their work, with a special interest in environmental issues, human rights, education and culture.

She refuses to answer a question on how much the project in Arles cost. But as to why she chose the 53,000-strong town, Hoffmann responds: “I did not choose Arles, Arles chose me.”

She moved there as a baby when her father Luc Hoffmann, who co-founded WWF,
created a reserve to preserve the biodiversity of the Camargue, a region between the Mediterranean Sea and the Rhone river delta known for its pink flamingos.

The tower reflects that, with Camargue salt used as mural panels and the
delta’s algae as textile dye.

Hoffmann says she wants her project to attract more visitors in the winter, in a town where nearly a quarter of the population lives under the poverty line.

Some 190 people will be working at the Luma project over the summer, Bouhayati says, adding that Hoffman has created an “ecosystem for creation”.

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