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SWEDE OF THE WEEK

CHRISTMAS

The Sarah Dawn Finer things at Christmas

For the festive special of our new Swede of the Week series, we take a look at singer Sarah Dawn Finer who bagged the most sought after seasonal job on Swedish television.

The Sarah Dawn Finer things at Christmas

“Look mummy! It’s Christmas!” the small girl said as Sarah Dawn Finer walked into the post office.

Such is the role of the “Christmas Host” on television each year that the child simply equated the well-known singer with the holiday itself.

It was a somewhat nervous but happy-looking Finer who popped up on television sets across Sweden this year at five minutes to 2pm. That’s when hosts after a short preamble light a candle to kick off the Christmas special broadcast on Sveriges Television (SVT).

The broadcast runs throughout the afternoon of Christmas Eve, with the host presenting a series of traditional programmes to viewers around Sweden.

“My nephew was upset that I wasn’t going to be home for Christmas Eve,” the half-English half-American singer told Svenska Dagbladet newspaper in the run-up to Christmas.

“But I’m able to be with and touch people all over Sweden in a way I didn’t think was possible.”

CLICK HERE FOR MORE IMAGES FROM SARAH DAWN FINER’S CAREER

She began by telling the viewers the story of her post-office encounter, then it was time for the candle. She had failed to light it during rehearsals and as the producer told her there was three minutes left until going live she felt utter panic.

It might sound ever so simple, but few have ever lit a candle with almost 4 million people watching. And she did it. No dropped matches, scorched finger tips or fiddling with a limp wick.

Finer is no stranger to Swedish television viewers. She was only seven when she got a role in the series Maskrosbarnen (The Dandelion Children) and some years later took part in the iconic stories of Bert.

But singing was always part of her life, and she toured with her sister throughout her adolescence.

She says that for her, Christmas is less about religion and more about family – and of course, listening to music. Her Christmases mix Swedish traditions with those from her father’s England and from her mother’s native US.

She credits them for her tenacity.

“Both my parents have shown me that anything is possible by moving here and building a life,” Finer told SvD.

“I’ll always feel a certain degree of alienation here because I’m different, not the norm.”

Yet, if Finer was Swedish Christmas this year, she has for the past few years been strongly associated with the most Swedish of all musical bonanzas – the Eurovision qualifiers Melodifestivalen, which stretches the breadth and width of the country and feeds its fodder to the tabloids on every step of the way.

At first she was a contestant, performing in 2007 with I Remember Love, which came in fourth. With her second try in 2009, with the song Moving On, she again made it into the finals but finished only seventh.

Despite never earning the singer prime position, both songs clung on and were the most played tunes on radio in their respective years.

Her role in this year’s outing was somewhat different. She took centre stage right from the start as one of three co-hostesses alongside actress Helena Bergström and comedienne Gina Darawi.

Despite the glittering list of successes, she has admitted to insecurity in previous interviews. She even calls herself fragile. And when she was interviewed by Elle Magazine following her Eurovision hostess stint, she could not hide a certain self-consciousness.

“In everyday life I wear a lot of black, often a leather jacket some tights and a black dress. I’m not very good with clothes. Clothes take time when you need to work magic,” she told Elle.

Her go-to designer is the legendary Swedish dressmaker Camilla Thulin, who has sewn her made-to-order dresses for almost a decade. If she were to raid any of the Hollywood A-listers’ closets it would have to be “curvy women like Jill Scott, Queen Latifah, Jennifer Hudson and Oprah.”

Oprah also gets a peek in on a list of inspirational women that Elle asked her to share. As does Madonna. And her mum.

The musical inspiration list is a few inches longer: Eva Cassidy, Jay-Z, Anna Ternhem, D’angelo, Ryan Adams… although Stevie Wonder and Tracy Chapman are the ones to snag a joint first place.

Take a look at our past Swedes of the Week.

Ann Törnkvist

Follow Ann on Twitter here

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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