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THE YEAR IN REVIEW

MUSIC

The best (and worst) Swedish music of 2012

With the new year approaching, ex-Londoner Paul Connolly takes a look at the best - and worst - Swedish music released in 2012, while pondering if his love of the Swedish pop charts might mean he's "going native".

The best (and worst) Swedish music of 2012

When I first moved to Sweden this year, one of my worries was that I’d miss British music. I wrote about music for two UK national newspapers and thought London was the epicentre of European pop music.

I was dimly aware that Swedish pop had a good reputation but was so caught up in all things London that, musically at least, I rarely ventured east of Shoreditch.

Back in 2007, however, Robyn’s With Every Heartbeat may have been my favourite single but, shamefully, I’m pretty sure I thought she was Danish.

I know.

Within just a week of being here, I realized just how wrong I’d been to worry.

Listening to Sveriges Radio P3 (for the most part a grown-up version of the UK’s Radio One), I found myself regularly Shazam-ing, using an app that identifies songs using your phone.

Click here for Paul Connolly’s five best Swedish songs of 2012

Who were the Acid House Kings? Who was that lovely 70s singer-songwriter? (Ted Gärdestad, as it turned out). What on earth was that sound like a robot falling down the stairs while singing a Robyn cover? (Alina Devecerski)

I began to spend a fortune on iTunes and I finally invested in a full Spotify subscription.

I started to rave about Swedish bands to my English friends. One of my music biz friends even signed a Swedish artist on a singles deal mostly on my say-so.

I was going native.

Click here for Paul Connolly’s best pop event of 2012

When it comes to Swedish music culture, I do have an advantage over most immigrants to Sweden in that I still have an obsessive, almost teenage-like love of pop music.

I may have mistaken Robyn for a Dane but I do know that the holy touchstone when it comes to aspiring Swedish musicians is not Abba or The Hives or even The Cardigans, although they’re marvellous bands all, and certainly not the ubiquitous masters of cheese themselves, Swedish House Mafia, but the Gothenburg brother-sister electro-pop duo, The Knife.

Click here for Paul Connolly’s worst Swedish song of 2012

As I’ve discovered over the past few months, their importance to and influence on pop musicians in this country is incalculable and far outweighs the relatively modest commercial success they’ve had as a band.

Their distinctive aural fingerprint can be heard right through the following round-up of the best Swedish music of 2012.

Click here for Paul Connolly’s five best Swedish albums of 2012

And one final heads up. I’ve always been inclined to the more melodic side and I am no snob. To me, there is no such thing as a guilty pleasure.

If a song has a great tune, I’m pretty sure to like it whoever the artist. I once made S Club 7’s Don’t Stop Movin’ single of the week for The Times and was mercilessly ribbed by my peers. I did the same for TLC’s No Scrubs and was on the wrong end of another bout of intense ridicule.

But you know what, I still stand by those choices – they are both great pop songs.

Here are some more, and I promise there’s no Swedish House Mafia in sight…

Paul Connolly

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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