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SCHOOLS

Germans stop learning to play music

Few countries have produced more acclaimed classical composers than Germany. But there are discordant signs that the home of Bach, Beethoven, Wagner and Handel could be squandering its musical heritage.

Germans stop learning to play music
Photo: DPA

The number of households where musical instruments are played has declined by nearly 30 percent over the past four years, according to a new survey which suggest instruments are falling silent or disappearing altogether.

Just 17.7 percent of households now make any of their own acoustic music, according to a study “Music-making and musical instruments in Germany”, published on Wednesday.

The survey, commissioned by the Union of the Musical Instrument and Musical Equipment Industry (SOMM) and carried out by the independent Society for Consumer Research (GfK), was based on a representative poll of 11,000 Germans.

The rate of decline which it revealed should certainly set alarm bells ringing – as recently as 2008, 25.6 of households percent were still playing, meaning that the number of musical homes has declined by almost 30 percent in just four years.

“It´s terrifying how far these numbers have fallen,” said Daniel Knöll, head of the instrument-maker´s union. “Instruments are just lying around in seven million households.”

But it´s not only those with a financial interest in the musical trade who should be concerned. These figures cast some doubt on where the next generation of musicians will come from.

Although half of all children aged between six and eleven begin learning an instrument, less than half of those are still playing by the time they leave school. They often cite time pressures and rival interests as the reason for their abandonment.

A marked generation gap is opening up between the Mix-tape and the Facebook generations: a clear majority of those actively making music are now aged between 30 and 59.

Wider benefits from playing an instrument could also be lost. Picking up a violin or tinkering around with a keyboard are not only of a source of pleasure to many, but scientists now believe that regular practice could support a range of cognitive functions, from encouraging language development to helping overcome learning difficulties.

Of particular interest for a rapidly ageing society is the observation that making music appears to slow – or even prevent – mental deterioration in old age.

The solution, according to Knöll, starts in Germany´s schools.

“We need to bring music-making back into the schools,” he said.

And perhaps the internet itself could provide part of the solution to young people´s lack of musical knowledge. According to Knöll, “video-tutorials are springing up all over the place.”

DAPD/The Local/pmw

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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