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2012 NOBEL PRIZES

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Nobel Laureate visits inspire Rinkeby teenagers’ dreams

On the eve of the announcement of the 2012 Nobel Prize in Literature, the AFP's Camille Bas-Wohlert looks at how the legacy of Swedish industrialist Alfred Nobel inspires immigrant children near Stockholm.

Nobel Laureate visits inspire Rinkeby teenagers' dreams

Nobel laureates have to “earn their prize”, the rest doesn’t matter, say secondary school students in one of Stockholm’s deprived suburbs, who will get the chance to meet a winner in December.

Every year since 1992, the Rinkeby School’s third form students have spent a term studying the Nobel Prize, at the end of which they are rewarded with a highly publicized visit by one of the laureates, usually the winner in Literature.

The school is located in Rinkeby, an immigrant-heavy suburb of the Swedish capital that has become a symbol of social segregation.

Rinkeby’s concrete tower blocks mirror the housing found in other European capitals, but despite its reputation, the area — surrounded by greenery — looks well kempt. The school building is modest but the rooms are large and airy.

The 20 students of grade 8A, who are 14 years old, were overjoyed when they found out they had been chosen for the project. The school picks the class that will participate based on potential and motivation.

By taking part in the project, “everyone grows,” says Swedish language teacher Nina Halmkrona. It allows the students to discover new horizons by reading the works of the Literature Prize winner, and to improve their Swedish skills, a language not everyone here masters perfectly.

The students in 8A speak a dozen different languages at home, ranging from Somali, Arabic, Spanish to Wolof. Ninety percent of Rinkeby’s residents are of immigrant background, primarily from Asia and Africa, according to figures from the city of Stockholm.

As part of the project, the students learn about the life of Alfred Nobel, the Swedish inventor, scholar and philanthropist who created the Nobel prizes in his last will and testament, project coordinator Gunilla Lundgren told AFP.

They also learn about the year’s laureates, with a focus on the literature winner, and work on texts and art that they compile into a pamphlet to give the laureate who visits them in December.

One student, Denya, tells AFP she simply “wanted to participate”.

She says the Nobel should go “to someone you haven’t heard of”, rather than to someone famous, since the prize will put the spotlight on his or her work.

The winner has to “earn” the award, the six students AFP spoke to all agreed.

“It’s not important where the person is from, what matters is whether they have worked hard for it, if they are working for peace,” says Abdulahi.

“I would like to ask him how he did it,” says Constanza in planning for the meeting with a laureate.

“And how he grew up, under what conditions,” adds Bashir.

The Nobel Committee “must think about the conditions under which the person has lived, whether his life was easy or not,” when they award their prize, suggests Denya.

Like all of her classmates, she comes from an immigrant background. Many of them seem to wish that the award would recognise individuals whose lives have been an exceptional journey and who have overcome difficulties, perhaps because they identify with that.

The Nobel Prize in Literature, which will be announced on Thursday, “shouldn’t go to someone young but to someone who can write about everything that’s happened. Someone young has their whole life in front of them, they can have the prize later,” says Abdulahi.

Some of the students’ comments reveal a lack of knowledge about the Nobels, but then again, they are just beginning their studies this term.

“Kofi Annan must receive the Peace Prize,” says Bashir.

“He tries to make contact with everyone and never loses heart.”

Nelson Mandela is also a serious contender for the prize, the six teenagers say, seemingly unaware that Mandela won the Nobel Peace Prize in 1993 while Annan won it in 2001.

As for the Nobel Prize in Literature, no names come to the students’ minds.

But Lundgren, who has since 1992 headed up the project with Rinkeby School at her own initiative because she wants to pass on her passion for books to young people, hopes it will go to Nuruddin Farah from Somalia.

The students have yet to decide whether to read one of the winner’s complete works.

“That depends on whether we understand,” they say.

When you read a book, “you should know from the beginning (what happens), you shouldn’t have to struggle and then find out in the middle of the book,” says Denya.

Lundgren says the students will read the 2012 Nobel Literature laureate just as their predecessors last year read the poems of Tomas Tranströmer.

AFP/The Local

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HISTORY

‘Lost’ manuscript of pro-Nazi French author published 78 years later

A book by one of France's most celebrated and controversial literary figures arrives in bookstores this week, 78 years after the manuscript disappeared

'Lost' manuscript of pro-Nazi French author published 78 years later

It is a rare thing when the story of a book’s publication is even more mysterious than the plot of the novel itself.

But that might be said of Guerre (War) by one of France’s most celebrated and controversial literary figures, Louis-Ferdinand Celine, which arrives in bookstores on Thursday, some 78 years after its manuscript disappeared.

Celine’s reputation has somehow survived the fact that he was one of France’s most eager collaborators with the Nazis.

Already a superstar thanks to his debut novel Journey to the End of the Night (1932), Celine became one of the most ardent anti-Semitic propagandists even before France’s occupation.

In June 1944, with the Allies advancing on Paris, the writer abandoned a pile of his manuscripts in his Montmartre apartment.

Celine feared rough treatment from authorities in liberated France, having spent the war carousing with the Gestapo, and giving up Jews and foreigners to the Nazi regime and publishing racist pamphlets about Jewish world conspiracies.

For decades, no one knew what happened to his papers, and he accused resistance fighters of burning them. But at some point in the 2000s, they ended up with retired journalist Jean-Pierre Thibaudat, who passed them – completely out of the blue – to Celine’s heirs last summer.

‘A miracle’
Despite the author’s history, reviews of the 150-page novel, published by Gallimard, have been unanimous in their praise.

“The end of a mystery, the discovery of a great text,” writes Le Point; a “miracle,” says Le Monde; “breathtaking,” gushes Journal du Dimanche.

Gallimard has yet to say whether the novel will be translated.

Like much of Celine’s work, Guerre is deeply autobiographical, recounting his experiences during World War I.

It opens with 20-year-old Brigadier Ferdinand finding himself miraculously alive after waking up on a Belgian battlefield, follows his treatment and hasty departure for England – all based on Celine’s real experiences.

His time across the Channel is the subject of another newly discovered novel, Londres (London), to be published this autumn.

If French reviewers seem reluctant to focus on Celine’s rampant World War II anti-Semitism, it is partly because his early writings (Guerre is thought to date from 1934) show little sign of it.

Journey to the End of the Night was a hit among progressives for its anti-war message, as well as a raw, slang-filled style that stuck two fingers up at bourgeois sensibilities.

Celine’s attitude to the Jews only revealed itself in 1937 with the publication of a pamphlet, Trifles for a Massacre, which set him on a new path of racial hatred and conspiracy-mongering.

He never back-tracked. After the war, he launched a campaign of Holocaust-denial and sought to muddy the waters around his own war-time exploits – allowing him to worm his way back into France without repercussions.

‘Divine surprise’
Many in the French literary scene seem keen to separate early and late Celine.

“These manuscripts come at the right time – they are a divine surprise – for Celine to become a writer again: the one who matters, from 1932 to 1936,” literary historian Philippe Roussin told AFP.

Other critics say the early Celine was just hiding his true feelings.

They highlight a quote that may explain the gap between his progressive novels and reactionary feelings: “Knowing what the reader wants, following fashions like a shopgirl, is the job of any writer who is very financially constrained,” Celine wrote to a friend.

Despite his descent into Nazism, he was one of the great chroniclers of the trauma of World War I and the malaise of the inter-war years.

An exhibition about the discovery of the manuscripts opens on Thursday at the Gallimard Gallery and includes the original, hand-written sheets of Guerre.

They end with a line that is typical of Celine: “I caught the war in my head. It is locked in my head.”

In the final years before his death in 1961, Celine endlessly bemoaned the loss of his manuscripts.

The exhibition has a quote from him on the wall: “They burned them, almost three manuscripts, the pest-purging vigilantes!”

This was one occasion – not the only one – where he was proved wrong.

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