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Dozens injured at Oslo Bieber show

Oslo’s governing mayor has called for a full investigation after dozens of teenage girls sustained minor injuries at a free Justin Bieber concert in the city centre on Wednesday evening, while the city's mayor hid behind a tree to avoid a stampede.

Dozens injured at Oslo Bieber show
Photo: Scanpix

The head of the city’s government, Stian Berger Røsland, said he was terrified of the risk for serious injuries as a crowd made up mostly of young girls thronged outside the opera house to watch the 18-year-old Canadian superstar perform.

At one point earlier in the day, Mayor Fabian Stang was forced to take shelter behind a tree to avoid being crushed by hordes of stampeding girls.

“I have already called on the Emergency Planning Agency to examine the entire event from the planning stage to its implementation. We have to find out what went wrong and why it happened.”

Fortunately, no one was seriously injured when thousands of frantic Justin Bieber fans arrived at the Opera House to watch Justin Bieber perform. Ola Krokan at the Oslo police told news agency NTB that 49 girls had received minor injuries while 14 were taken by ambulance to the emergency services, none of them with serious injuries.

Stian Røsland Berger said he had been fearful that children and young people would be crushed, pass out from dehydration, or tumble into the waters of the adjacent fjord.

“There’s no doubt that last night was a miscalculation – a dramatic miscalculation,” said the head of the city council.

Mayor Fabian Stang was also deeply critical of the organization of Bieber’s promotional visit. Earlier on Wednesday, Stang had been cycling down Stortingsgata when he found himself surrounded by hundreds of so-called Beliebers.

“Suddenly there was a huge bunch of girls running. I was scared and had to hide behind a tree to avoid being trampled. I have a great level understanding for dedication, but right there and then I was very scared,” Stang told VG.

“I was very worried about the young girls. It's not the girls' fault; the responsibility lies with the organizers.”  

Outside the Opera House, some 100 police officers and security guards fought hard to keep control of the masses of screaming teenagers.

“We were very worried,” said Kåre Stølen, the head of Wednesday night’s police operation. “There were a lot more people than we had expected. The ones who didn’t make it in to the area were both angry and disappointed.”

When Bieber had left the stage and thousands of fans streamed away from the area, Stølen reflected on what he viewed as a stressful but successful evening.

“It has gone very well. Now we just have to get everyone home safely,” he told NTB.

Universal's Norway chief Petter Singsaas said company representative had lumps in their throats before and during the event.

“We never dreamed that this would set off such a major movement of people. I think Bieber’s crew also felt a lot of pressure during the day even though they travel around with him daily and are more used to this kind of attention. There were extreme reactions in the city, and the logistics were complicated.”

Singsaas said he fully understood the concerns people had, not least the parents of Bieber fans, but he also felt Universal had brought joy to many fans on Wednesday evening.

He added that the company had worked closely with the police and security guards throughout, but said he fully expected the mayor and the council chief to call on Universal to explain why the situation had become so chaotic.

Picture special: Fan frenzy as Justin Bieber comes to Oslo

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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