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ISLAM

Anti-Islam lyrics no barrier to Norway music prize

A black metal band nominated for Norway’s top music prize has rejected claims that lyrics on its latest album go too far in their criticism of Islam.

Anti-Islam lyrics no barrier to Norway music prize
Photo: Vassil (File)

Taake’s nomination for the Spellemann Prize in the Best Metal Album category has sparked a strong reaction from listeners who find some of the band’s lyrics objectionable, newspaper Aftenposten reports.

In the song Orkan (‘Hurricane’) on its latest album, Noregs Vaapen, the band sings “To hell with Muhammad and the Mohammedans” and their “unforgivable customs”. It ends with the line: “Norway will soon awaken”.

Marte Thorsby, chairman of the prize committee’s board, denied any assertion that the jury must not have listened to the album properly before announcing the nomination.

“We enjoy full freedom of expression in Norway and a Spellemann jury is not going to censor content in any way,” she told Aftenposten.

Didrik Søderlind, of the Norwegian Humanist Association, agreed that criticism of religion was fully acceptable and should not be subject to any form of censorship. But he also argued that the song in question went too far.

Søderlind said the lyrics were presumably written prior to last summer's terror attacks in Norway, “and in the aftermath of July 22nd they’re completely over the edge.”

“I’d imagine Taake aren’t particularly proud of these lyrics after Utøya,” he said, referring to the massacre of 69 young people at a summer camp by anti-Islam extremist Anders Behring Breivik.

In a written response to the newspaper, Taake front-man Ørjan Stedjeberg said his sole intention with the contentious lyrics was to criticize religion.

“Our view, in the name of freedom of expression, is that it is shameful to adhere to Christianity or Islam. Incidentally, Christianity is mentioned in the same lyrics, but that doesn’t seem to have been given any emphasis,” he wrote.

“Taake has never been a political band, and we do not encourage either violence or racism.”  

Stedjeberg previously landed himself in hot water in 2007 when he appeared onstage with a swastika painted on his chest in Essen, Germany, where any use of the former Nazi symbol is strictly prohibited.  

In a statement released after the incident, Stedjeberg said:

“Taake is not a political Nazi band, etc. We certainly didn't expect the current threat reactions, as everyone should know by now that our whole concept is built upon provocation and anything evil- and death-related.”

The Spellemann Prize winners will be announced at a ceremony on January 14th.

Note: This article has been updated (6 Jan) to clarify comments made by Didrik Søderlind.

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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