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UK-based comedy troupe set to make its Swedish debut

The world-renowned comedic theatre troupe Spymonkey is coming to Sweden, bringing its unique brand of black humour to Scandinavia audiences for the first time, The Local's Anita Badejo discovers.

UK-based comedy troupe set to make its Swedish debut

Spymonkey will make their Scandinavian debut by performing their hit show “Stiff” in Uppsala and Stockholm later this month.

Spymonkey, founded in 1997, is made up of British-trained actors Toby Park, Petra Massey, Aitor Basauri and Stephan Kreiss.

“Stiff,” a black comedy that they developed with comedy director Cal McCrystal, was the troupe’s first show in 1998.

The show won a UK Total Theatre Award in 2000 and has today been performed in several countries, including the US, Spain, France, Syria, Mexico and Romania.

Paul Kessel, Director of the Regina Theatre in Uppsala, calls Spymonkey one of a few “small gems around the world,” among theatre troupes that work within the genre of black comedy.

“I’ve been trying to bring them over for three or four years,” Kessel tells The Local.

After flying to Holland to see the troupe perform upon the recommendation of a friend from a British theatre, he knew he wanted to have the troupe share their performances in Sweden.

“They’re quite big in other parts of Europe, but they’ve never been to Scandinavia before, Kessel says.

“It’s a small troupe…[but] they’re not small in terms of stature as artists.”

While the troupe’s more recent shows are too big to fit into Swedish theatres, “Stiff” is a smaller show that Kessel was finally successful in bringing to the country.

The show revolves around a tribute for the recently deceased wife of Forbes Murdston, a great tragedian who has been suffering writer’s block for years and who enlists a troupe of actors to help him produce the tribute.

“It’s very, very funny black humor, it really is,” Kessel says, noting the show has an “emphasis on the physical.”

Kessel says the show’s heavy reliance on body, rather than spoken, language means that it can be enjoyed by anyone.

“It should attract a very broad audience.”

“You don’t need to be proficient in English to understand it,” he says, though he does mention that some basic knowledge of the language may help audiences.

Ultimately, Kessel encourages both Swedes and non-Swedes alike to go see the show to have a bit of fun.

“I hope they’ll have a very good laugh. No more pretentious than that,” he says.

“I promise a good time.”

“Stiff” will be performed in Stockholm at the Boulevard Theatre on March 23rd and 24th at 7 PM. Tickets are 220 kronor. The show will then be at the Regina Theatre in Uppsala on March 25th and 26th at 7 and 6 PM, respectively. Tickets in Uppsala are 240 kronor for adults and 120 kronor for youth.

Win Free Tickets to Spymonkey!

The Boulevard Theatre in Stockholm is giving away two pair of tickets to both performances of Spymonkey to readers of The Local who are first to answer the following trivia question:

At what theatre was Stiff first performed?

The first four correct responses will each receive a pair of tickets.

The contest is now closed. Thanks to everyone who submitted a response.

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PARIS

Top Paris theatre reopens as Covid occupy movement ends

French actors, stage technicians and other members of the performing arts ended a more-than-two-month occupation of the famous Odéon theatre in Paris on Sunday, allowing the show to go on after this week's easing of Covid-19 curbs.

Top Paris theatre reopens as Covid occupy movement ends
A picture taken on January 26, 2011 in Paris shows the facade of the Odéon theatre. LOIC VENANCE / AFP

The protesters took down the banners they had slung across the facade of the venue in the Left Bank as they left at dawn, leaving just one inscribed “See you soon”.

“We’re reopening!,” theatre director Stéphane Braunschweig exclaimed on the venue’s website, adding that it was “a relief and a great joy to be able to finally celebrate the reunion of the artists with the public.”

The Odéon, one of France’s six national theatres, was one of around 100 venues that were occupied in recent weeks by people working in arts and entertainment.

The protesters are demanding that the government extend a special Covid relief programme for “intermittents” — performers, musicians, technicians and other people who live from contract to contract in arts and entertainment.

READ ALSO: Protesters occupy French theatres to demand an end to closure of cultural spaces

With theatres shut since October due to the pandemic, the occupations had gone largely unnoticed by the general public until this week when cultural venues were finally cleared to reopen.

The Odéon, which was inaugurated by Marie-Antoinette in 1782, had planned to mark the reopening in style, by staging Tennessee Williams’ masterpiece “The Glass Menagerie”, with cinema star Isabelle Huppert as a former southern belle mourning the comforts of her youth.

But the protests scuppered the first five performances, with management saying the venue was blocked — a claim the protesters denied.

“What we wanted was for it (the performance) to go ahead, along with an occupation allowing us to speak out and hang our banners. We don’t want to stop the show,” Denis Gravouil, head of the performing arts chapter of the militant CGT union, said on Sunday.

Two other major theatres — the Colline theatre in eastern Paris and the National Theatre of Strasbourg — have also been affected by the protests.
 
France has one of the world’s most generous support systems for self-employed people in the arts and media, providing unemployment benefit to those who can prove they have worked at least 507 hours over the past 12 months.

But with venues closed for nearly seven months, and strict capacity limits imposed on those that reopened this week, the “intermittents” complained they could not make up their hours.

The government had already extended a year-long deadline for them to return to work by four months.

The “intermittents” are pushing for a year-long extension instead.

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