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ORGANIZED CRIME

Police target Hells Angels in Gothenburg

Police in Västra Götaland in western Sweden raided a Hells Angels club in Gothenburg on Wednesday evening as part of national drive to tackle organized crime.

Police target Hells Angels in Gothenburg

The police operation targeted a Hells Angels chapter in Gunnilse in Gothenburg and several people were detained during the course of the raid.

“We were very happy with the outcome,” said police spokesperson Stefan Gustafsson to news agency TT.

The raid was part of an ongoing investigation into allegations of assault, robbery and aggravated weapons offences, and was preceded by surveillance.

Västra Götaland police were joined by officers from the National Criminal Investigation Department and hit the club premises at around 6pm on Wednesday and continued all evening. A forensic examination and thorough search of the premises was conducted later.

When the officers forced their way into the premises they found around 20 people present, of whom around a dozen were taken into custody.

“We didn’t ring on the door first,” Gustafsson said.

The arrested have been identified and were interviewed during the course of the evening and the prosecutor will later decide whether to keep them in custody for further investigation. Several were already wanted in connection with other ongoing investigations.

Elsewhere, Gothenburg municipality voted on Wednesday to call on restaurant and bar owners to bar anyone bearing a biker club logo from entry.

The proposal was presented in the autumn and the ban was voted through by the municipal executive board on Wednesday, the local Göteborgs-Posten daily reports.

Eskilstuna municipality took a similar decision last year but the ban was ruled unconstitutional by Södermanland Administrative Court in March 2010. The court ruled that that ban was in breach of legislation guaranteeing freedom of expression.

But Gothenburg municipality have decided to push ahead with the ban regardless.

“We don’t know if this part of our licensing guidelines conforms to the law and if it can be applied in bars and restaurants, but we see this as a show of support for restaurateurs and want to try it out,” municipal councillor Dario Espiga told the newspaper.

The three main criminal motorcycle gangs operating in Sweden are the well-established Hells Angels and Bandidos and the Outlaws, who are relatively new on the scene.

The groups themselves habitually argue that while individual members may commit crimes, the clubs themselves preach “brotherhood” above all.

According to a National Council for Crime Prevention (Brå) report from 1999 however the vast majority of Hells Angels and Bandidos members held convictions, 22 percent of which were for violent crimes.

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MAFIA

Why Italian cinema is starting to glamorize the mafia

For years it was only American filmmakers who glorified mafiosi, while Italian cinema showed the grittier reality of organized crime. Now that's starting to change. Italian film expert Dana Renga traces the shift.

Why Italian cinema is starting to glamorize the mafia
'The Traitor', a recent mafia drama that caused controversy in Italy. Photo: Sony Pictures Classics

For almost a century, American filmmakers have glamorized the mafia, depicting their ranks as so charismatic and quick-witted that you might want to invite them over for dinner.

Audiences saw this most recently in 'The Irishman', which reunites a star cast of the usual suspects – Robert De Niro, Al Pacino and Joe Pesci – but also in 'The Sopranos' and 'Boardwalk Empire'.

The mafia’s glamorized sheen in America’s collective conscience might be due to the fact that the mafia never attained much power in the US. Compared with Italy, fewer lives have been lost and fewer businesses destroyed by the organized crime syndicate. Today many see the mafia as a relic of the past.

Not so in Italy, where mafias remain as powerful and dangerous as ever.

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Their menace has been reflected in Italian films and television series, which have long cast mobsters in a negative light.

But as someone who studies media depictions of the mafia, I’ve noticed a shift: Italian films and TV shows have started to glorify criminality, crafting and portraying mafiosos as alluring antiheroes.

In Italy, a break from tradition

It’s long been common practice in Hollywood to cast conventionally attractive actors as sympathetic criminal antiheroes. Humphrey Bogart in 'King of the Underworld', Al Pacino in 'The Godfather' trilogy and Denzel Washington in 'American Gangster' are just a few examples.

However, this practice is a relatively new phenomenon in Italy.

In Italian films from the 1960s and 1970s, Italian gangsters were depicted as shady and charmless.

In the popular Italian mafia biopics of the 1990s and 2000s, which included titles like 'One Hundred Steps' and 'Placido Rizzotto', they appeared as vicious, repulsive villains.

But that started to change in the 21st century. In 2005, director Michele Placido released 'Romanzo Criminale', a film about the Roman mafia that featured a cast of young, attractive mobsters.

More recently, good-looking, sympathetic criminals abound in the TV series 'Gomorrah', while slick, teenaged gangsters populate Claudio Giovannesi’s 2019 film 'Piranhas'.

A controversial portrayal

Marco Bellocchio’s most recent film, 'The Traitor', epitomizes this trend. Released in the US on January 31st, it was also Italy’s submission for Best International Feature Film in the Academy Awards.

At its centre is an ex-mobster named Tommaso Buscetta, played by the attractive Pierfrancesco Favino, sometimes known as “the Italian George Clooney”.

READ ALSO: The Traitor: True story of mafia informant is Italy's entry for the Oscars

The film tells the true story of Buscetta, who shared vital information about the inner workings of the mafia with Italian authorities in the early 1980s. His revelations sparked the “maxi trials”, which ended in 1987 and led to 342 convictions.

Buscetta, however, is viewed with suspicion by many Italians. To this day, his motivations for turning over evidence to the state are cloaked in mystery. In Italy, he’s hardly viewed as an ambassador for the anti-mafia cause. Nonetheless, 'The Traitor' turns him into an alluring antihero.

For these reasons, some Italians weren’t happy about this portrayal. It also didn’t help that the film was released on the anniversary of a mafia rampage that killed an anti-mafia prosecutor, his wife and their bodyguard.

Follow the money

These films and series are popular inside and outside of Italy; 'Gomorrah', for example, is distributed in over 190 countries.

Within Italy, however, protests against these films and series are commonplace. Many Italians are uncomfortable with the way they depict organized crime with characters who are charming and easy to like. Some of the loudest objections come from people who have lost loved ones to the mafia.

For example, the mayor of Naples claimed that 'Gomorrah' corrodes “the brains, minds and hearts of hundreds of young people”, while one judge accused the series’ creators of “excessively humanizing crime”.

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However, the success of American TV series like 'The Sopranos' conveyed an important lesson to Italian writers and producers: you don’t have to be a good guy to captivate audiences outside of Italy.

So for the last 15 years, Italian film and television producers have become famous by presenting organized crime in ways that are an anathema for many Italians, but find eager viewers around the world.

Dana Renga, Associate Professor of Italian Studies and Film, The Ohio State University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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