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Titiyo: Swedish music royalty

After a seven year break, Titiyo returns with a new sound and new enthusiasm. Keith Moore talks to the sister of Neneh and Eagle Eye Cherry about music, family, the past and the future.

Titiyo: Swedish music royalty
Photo: Annika Aschberg

Titiyo greets the staff at the chic Stockholm coffee shop with familiarity. Arriving straight from the gym, dressed casually and wearing little makeup, she looks healthy and 10 years younger than her 41 years.

Her family is Swedish music royalty, older sister is superstar Neneh Cherry and her brother is Eagle Eye Cherry, best known for the 1997 hit “Save Tonight.”

The winner of four Swedish Grammies, Titiyo returned with new album “Hidden” at the end of last year after a seven year hiatus and is about to embark on a summer of concerts and festivals. Once dubbed the “Queen of Swedish Soul,” her protracted timeout has given her a new spark of creativity and a different musical direction.

“I was listening to [Radiohead frontman] Thom Yorke’s solo album and it gave me a lot of inspiration,” she remembers. “It reminded me that a song doesn’t just have to be verse-chorus-verse.”

Having not written any songs for 2001 hit album “Come Along,” she admits it was a big step to start writing again. Encouragement from friends and family helped.

“I went to a music store and I wanted to buy the cheapest, oldest synthesizer – it was a monster!” she laughs.

“I took it down to the most basic level and once I started I couldn’t stop. I was almost in a trance,” she adds. “I would start at 11 at night and when my daughter woke at 7 the next morning I would still be working and she would wonder what I was doing.”

Titiyo grew up in an artistic house. Her father was a drummer from Sierra Leone and her mother performed in theatre. While she appreciates their influence now, she admits that it wasn’t always the case.

“I just wanted to fit in,” she says. “Guys all liked the blonde haired, blue eyed girls and being not only black, but hippies too, I could be so embarrassed when I was a teenager.”

She was also shy when it came to her voice.

“I would perform duets in my bedroom with Aretha Franklin when nobody else was in the house,” she recalls with a smile.

“Then one day I recorded myself and played it back to my Mum and she started crying.”

Siblings Neneh and Eagle Eye live in Stockholm too and she says although their conversations rarely turn to music, they are all very supportive of each others’ careers.

“Neneh has been one of the biggest influences in my life,” she says.

“My first album was released in England at the same time as hers and it was rough to be compared to her as it has never been a competition between us,” she says with frustration. “But when I look back now I looked so much like her and she laughs at me now for that.”

Titiyo talks with pride about her self-penned latest album and says she is finding new respect from an indie audience. She seems to have found her passion for music again.

“I want to keep the creativity going,” she enthuses, “I’m writing now and there will definitely not be another seven years of no albums.”

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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