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Sweden’s got talent: life beyond Eurovision

With the whole of Sweden seemingly trembling with excitement about the Eurovision song contest, outsiders coming in could be forgiven for thinking that Swedish music was all sequins, spandex and euro cheese.

Sweden's got talent: life beyond Eurovision
Small Feral Token

Not so. With Swedish artists receiving commercial and critical acclaim across the globe and a number of exciting new musicians coming on to the scene, insiders agree that there is a lot of great alternative music being created and produced in Sweden.

“Vivid” is the word used to describe the current state of the music scene by Pelle Moeld, DJ, host and producer of the P3 Lab radio show.

“Foreigners might say that there is a ‘Swedish sound’ but I don’t think that there is,” adds Moeld, who has been spotting and championing new music for the past 12 years.

Lykke Li, Robyn and Peter, Bjorn and John have achieved the rare feat of both selling records and winning acclaim from the notoriously fickle international music press.

Influential British music magazine NME called Lykke Li’s 2008 debut album “simple but sensational.”

Robyn collaborated with Snoop Dogg on the song “Sexual Eruption” and her self titled album was nominated for the best electronic/dance album award at the recent Grammy’s.

“The new Swedish artists take their influences from everyone,” enthuses Moeld, “There is a lot of great hip hop as well as bands.”

Up and coming artists to watch out for include rapper, That Dude Prince.

Indie five piece, Springfactory make fun pop songs reminiscent of another one of Sweden’s most well known musical exports, The Cardigans.

Female electronic duo, Small Feral Token create edgy pop songs to dance to.

For those who like heavier music, unsigned Jönköping band Knivderby make “Totally fucked up rock ‘n’ roll,” said Moeld.

“There is just so much going on,” says Moeld. “There is a lot of great music coming out of Gothenburg and Jönköping especially.”

So if you are looking for an alternative to a Saturday night at home watching Melodifestivalen try going to see some local music talent – they might just be the next big thing.

CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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