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Stockholm club and concert guide: June 6 – 8

Stockholm club and concert tips from Kalendarium (Click links for more information)

Published: 5 June 2008 17:57 CEST

Music elitist or simply hopped up on new songs? It’s Only Noise tries the feat of playing music you seldom hear out. See Patrik Crotty, Eddie Åhgren, and Milène Larsson dig out the most obscure things they can find, in the White Bar every Friday, but premiering tomorrow.

Summer feelings:

Warm beer and live music in the sun! Trädgården offers the concert experience of the year on select Saturday afternoons. This weekend hear Loney, Dear, Idiot Kid, Parken, Dag För Dag, Thomas Denver Jonsson and the beautiful Exploding Heart. Tonnes of lively music, totally free!

Alf Tumble leads Heya Nights at Berns. It’s like one of the definitive signs of quality for good house. A sure thing for lively, first-rate music with lots of filters.

Pop for the crazy:

Nada Goes Live under extra-special circumstances. An evening to honour during which that much-talked-about Malmö band Le bataillon des fous takes the stage at Söders softest bar. Paul from the British Isles stands behind the DJ-table before and after. It looks to be a fantastic little Sunday event.

David, oh David:

David Roiseux plays record in way that really breaks with convention. Now he’s got the whole night to himself at SpyBar, five hours of roaringly good, dancy untz untz.

La Bamba on the veranda:

Miguel La Bamba, Multikulti-DJ Magnus, and loads of other DJs at Sodra Bar at Mosebacke and its now open veranda. A fantastic view and the world wide future of music.

Meet the Spanish rapper bringing flamenco and bossa nova into hip-hop

Spanish rapper Anton Alvarez known as 'C. Tangana' poses in Madrid on April 29, 2021. Photo: Javier Soriano/AFP

The 30-year-old has emerged as one of the world’s biggest Spanish-language stars since his third album “El Madrileno” — the Madrilenian — came out in February. That ranks him alongside his superstar ex-girlfriend Rosalia, the Grammy-winning Catalan singer with whom he has co-written several hits.

C. Tangana, whose real name is Anton Alvarez Alfaro, has come a long way since a decade ago when he became known as a voice of disillusioned Spanish youth in the wake of the financial crisis.These days his rap is infused with everything from reggaeton and rumba to deeply traditional styles from Spain and Latin America, with a voice often digitised by autotune.

“It’s incredible that just when my music is at its most popular is exactly when I’m doing something a bit more complex, more experimental and less
trendy,” he told AFP in an interview.

And he is unashamed to be appealing to a wider audience than previously: his dream is now to make music “that a young person can enjoy in a club or someone older can enjoy at home while cooking”.

‘People are tired’

The rapper, who sports a severe semi-shaved haircut and a pencil moustache, has worked with Spanish flamenco greats including Nino De Elche, Antonio Carmona, Kiko Veneno, La Hungara and the Gipsy Kings.

In April he brought some of them together for a performance on NPR’s popular “Tiny Desk Concert” series, which has already drawn nearly six million
views on YouTube.

Shifting away from trap, one of rap’s most popular sub-genres, and venturing into a more traditional repertoire was a dangerous move — especially for someone with a young fanbase to whom rumba, bossa nova and bolero sound old-fashioned.

“I think people are tired. They’ve had enough of the predominant aesthetic values that have previously defined pop and urban music,” he said.

Parts of his latest album were recorded in Latin America with Cuban guitarist Eliades Ochoa of Buena Vista Social Club, Uruguayan
singer-songwriter Jorge Drexler, Mexican folk artist Ed Maverick and Brazil’s Toquinho, one of the bossa nova greats.

“What struck me most everywhere I went was the sense of tradition and the way people experienced the most popular music, and I don’t mean pop,” he said.

A new direction

C. Tangana started out in 2006 rapping under the name Crema. When the global economic crisis swept Spain a few years later, hard-hitting trap was
the perfect way to voice the angst of his generation. But after more than a decade of rapping, things changed.

“When I was heading for my 30s, I hit this crisis, I was a bit fed up with what I was doing… and decided to give voice to all these influences that I
never dared express as a rapper,” he said.

The shift began in 2018 with “Un veneno” (“A poison”) which came out a year after his big hit “Mala mujer” (“Bad woman”).

And there was a return to the sounds of his childhood when he used to listen to Spanish folk songs at home, raised by a mother who worked in
education and a journalist father who liked to play the guitar. The Latin American influences came later.

“It started when I was a teenager with reggaeton and with bachata which were played in the first clubs I went to, which were mostly Latin,” he said.

Studying philosophy at the time, he wrote his first raps between stints working in call centres or fast-food restaurants.

As to what comes next, he doesn’t know. But one thing he hopes to do is collaborate with Natalia Lafourcade, a Mexican singer who dabbles in folk, rock and pop — another jack of all musical trades.

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